Showing posts sorted by relevance for query make up. Sort by date Show all posts
Showing posts sorted by relevance for query make up. Sort by date Show all posts

Sunday, November 30, 2014

Jak vybrat barvu očních stínů a tvářenky

Jak vybrat barvu očních stínů a tvářenky









Jak vybrat barvu očních stínů a tvářenky



OČNÍ STÍNY - líčení s Jansem Wramellem




Líčení s Jonasem Wramellem – Kontury obličeje a tvářenka


Kosmetika


Korektory Kurz profesionálneho líčenia HQ


akademia krásy ličenie


Akadémia Krásy - YouTube



Jonas Wramell with #OriflameId





Hot Looks this season by Jonas Wramell Oriflame



Celebrity Make-up Artist Jonas Wramell Joins Oriflame





Lilac Bridal Beach Makeup - Video




St Patrick's Day Makeup Tutorial - Crystalka89



St. Patrick's Day Makeup




makeup
make-up
make up

Monday, May 30, 2011

Extravagant Makeup

 Extravagant Makeup


 Extravagant Makeup


Beautiful Makeup



Beautiful Make-up Looks





Best Makeup Looks








MAKE-UP TUTORIAL FOR DRAG







DRAG MAKE-UP TUTORIAL


Sunday, April 1, 2012

Jak na Líčení - How to Make Up

Jak na Líčení - How to Make Up


Líčení část 1 - make up




Líčení část 2 - pudr



Líčení část 3 - tvářenka




Líčení část 4 - obočí




Jak na to: Obočí
 
Líčení část 5 - oční stíny




Líčení část 6 - rty








Prodloužení řas




Recenze na Mac makeup štětečky







Perfektní makeup tutorial - část 1







Kouřové khaki líčení - Nejlepší pro HNĚDÉ a ZELENÉ OČI




Jak se líčit - kouřové líčení




Tutorial líčení - Vintage look 1940´s




Jak jsem se dostala k líčení / My Makeup Story TAG







Moje denní rutina - Obočí




Tutorial trhání obočí a epilace obličeje 1. část






Jak docílit krásných nehtů

 


Angelina Jolie Makeup Tutorial



Kde se dá koupit Mac kosmetika a jak poznat pravou od falešné


ADELE - GRAMMYS 2012 - MAKEUP TUTORIAL





Thursday, January 15, 2015

Great Bridal Make-Up

Great Bridal Make-Up



How to Contour Your Face Shape | NewBeauty Tips and Tutorials



Bridal Makeup Tutorial


Bridal Beauty Videos


BRIDAL MAKEUP




Bridal Makeup



Bridal Makeup Tutorial | Simply Sona



Contouring & Highlighting- Kim Kardashian's Makeup secret!










Tuesday, September 30, 2014

HOW TO FIND YOUR FACE SHAPE

HOW TO FIND YOUR FACE SHAPE



HOW TO: KNOW YOUR EYE SHAPE









4 DIFFERENT WAYS TO APPLY BLUSHER FOR YOUR FACE SHAPE






Best Hair Styles For Your Face Shape - And How To Find Your Face Shape





Easy Face Shape Test




How To Figure Out Your Eye Shape by Smashbox | Sephora





12 EYELINER TUTORIALS ★ For all Eye Shapes




Ombre Lips Tutorial with 3 Different Styles | milavictoria







make-up
make up
tvar očí
tvar obličeje


Sunday, December 30, 2018

How to Speed Up slow Lightroom?

How to Speed Up slow Lightroom?


Adobe about LR:

"The Spot Removal Tool and Local Corrections Brush are not designed for hundreds to thousands of corrections.
If your image contains many (hundreds) of localized adjustments, consider using a pixel-based editing application such as Affinity Photo or Photoshop for that level of correction..."



Top 10 Ways To Automate Lightroom!
Ultimate Guide To Speed Up Your Lightroom Workflow! 
Learn to use keyboard shortcuts as much as possible:






How to Significantly Speed Up Lightroom

Stop Working Off of an External Hard Drive
Stop Culling in Lightroom
Adjust Import Settings



10 Tips to Improve Lightroom Speed and Performance Without Additional Hardware


How to Use Lightroom CC Faster


Adobe updates Lightroom Classic and finally makes it faster


Lightroom Performance Tips

  1. SSDs
  2. Switching off Services
  3. Graphics Processing
  4. Camera Raw Cache
  5. XMP Changes
  6. Setting Preview Sizes
  7. Keeping 1:1 Previews
  8. Optimising Catalog
  9. Clearing History
  10. Preset Housekeeping
  11. Apply Bulk Presets quicker
  12. Histogram and Solo Mode
  13. Hiding Modules
  14. Culling outside of Lightroom
  15. 1:1 Previews
  16. Using Import Presets
  17. Apply Sharpening and Noise Reduction last







7 Tips for Making Lightroom Run Faster


30+ Outstanding Adobe Lightroom Tutorials & Tips




Optimize performance adobe lightroom
https://helpx.adobe.com/lightroom/kb/optimize-performance-lightroom.html

Use optimal settings in Lightroom
Pause ‘Sync With Lightroom CC’ while making edits in Lightroom Classic
Keep standard-size previews as small as possible
Keep the catalog and preview cache in the same folder
Leave autowrite XMP turned off
Optimize the catalog
Increase the Camera Raw cache size
Spot Removal tool, local corrections, and History panel - don't use too much :o
Order of Develop operations
Avoid corrections that you don't need
Zoom options
Delete the Lightroom previews cache
Reduce the number of presets




How to Backup Your Lightroom Catalog

How to Use Lightroom Rename Catalog

How to Merge Lightroom Catalogs



Where Does Lightroom Store Photos?

6 Ways to Organize Your Lightroom Folder Structure








Order of Develop operations

The best order of Develop operations to increase performance is as follows:

Spot healing. Geometry corrections, such as Lens Correction profiles and Manual corrections, including keystone corrections using the Vertical slider. Global non-detail corrections, such as Exposure and White Balance. These corrections can also be done first if desired. Local corrections, such as Gradient Filter and Adjustment Brush strokes. Detail corrections, such as Noise Reduction and Sharpening.

Note: Performing spot healing first improves the accuracy of the spot healing, and ensures the boundaries of the healed areas match the spot location.

source adobe:
https://helpx.adobe.com/lightroom/kb/optimize-performance-lightroom.html







1. Use fastest drive for catalog, cache and current photos. Make new catalog for any new job, then proceed with these steps.

2. Render smart previews then CHANGE the name of photos folder [this is different from just checking that box mentioned in article], LR will render smaller files [from 24MPX, it makes about 2600x1700 px files, which are large enough for checking focus and noise etc].

3. Use import preset with camera specific ISO etc, your choice.

4. Import ONLY presets you will use, making LR caching 10000 or so presets is not good. [some people are preset hoarders], This speeds up LR a lot.

5. Make 1:1 previews of SMART previews [when they are detached from the folder], to have import preset, smart preview and 1:1 on start.

6. Flag pics that you will edit [cull], rather than doing black flag on non-chosen pics [morale thing, you reward yourself, you are more likely to edit with more 'oomph' //optional

7. After whole cull and edit, change the name back to have original files in LR, check sharpening and noise reduction, and export.

8. After job is exported to JPGs, export whole catalog with files onto a slower archive folder. Name it, so that you know which job was that.

9. New pictures? New catalog, and from 1 to 9 again, Starting on fastest drive with clean new empty catalog, import photos as instructed.

__________
That's my workflow, and I don't see how it could be any faster [culling maybe, but with smart previews it's ultra fast]. Hope this helps anyone, I can go into details if someone wants to learn more about my workflow. It works for superfast PCs and slow laptops, so far haven't seen it go any faster.

source:
https://fstoppers.com/originals/how-significantly-speed-lightroom-195082




Lightroom Exporting - Any ways to speed it up  or try demo and Switch to Capture One.
Much faster to export files





Hello, Lr Classic

I know from my experience on the KelbyOne Help Desk, as well as from various forums and conversations with other Lightroom users, that improving performance has been high on everyone’s wish list. Adobe has apparently taken this issue seriously and devoted most of its resources for this version to identifying various points in the workflow where speed can be improved. One of the first places you may notice an improvement is in launching the program, which should be more noticeable with larger catalogs. I’ve definitely noticed an improvement here.





www.lightroompresetshoppe.com/speed-up-your-lightroom-workflow-ultimate-guide/




Fastest Lightroom? uninstall Lightroom forewer

Critical Workflow Upgrades I Should Have Made Sooner







Faster with lightroom?

impossible
edit
editor

Saturday, April 16, 2011

100 Things About Photography: YOU MUST KNOW THIS

100 Things About Photography: YOU MUST KNOW THIS

1. Just because someone has an expensive camera doesn’t mean that they’re a good photographer.
2. Always shoot in RAW. Always.
3. Prime lenses help you learn to be a better photographer.
4. Photo editing is an art in itself.
5. The rule of thirds works 99% of the time.
6. Macro photography isn’t for everybody.
7. UV filters work just as well as lens caps.
8. Go outside and shoot photos rather than spending hours a day on photography forums.
9. Capture the beauty in the mundane and you have a winning photograph.
10. Film isn’t better than digital.
11. Digital isn’t better than film.
12. There is no “magic” camera or lens.
13. Better lenses don’t give you better photos.
14. Spend less time looking at other people’s work and more time shooting your own.
15. Don’t take your DSLR to parties.
16. Girls dig photographers.
17. Making your photos b/w doesn’t automatically make them “artsy”.
18. People will always discredit your work if you tell them you “photoshop” your images. Rather, tell them that you process them in the “digital darkroom”.
19. You don’t need to take a photo of everything.
20. Have at least 2 backups of all your images. Like they say in war, two is one, one is none.
21. Ditch the neck strap and get a handstrap.
22. Get closer when taking your photos, they often turn out better.
23. Be a part of a scene while taking a photo; not a voyeur.
24. Taking a photo crouched often make your photos look more interesting.
25. Worry less about technical aspects and focus more on compositional aspects of photography.
26. Tape up any logos on your camera with black gaffers tape- it brings a lot less attention to you.
27. Always underexpose by 2/3rds of a stop when shooting in broad daylight.
28. The more photos you take, the better you get.
29. Don’t be afraid to take several photos of the same scene at different exposures, angles, or apertures.
30. Only show your best photos.
31. A point-and-shoot is still a camera.
32. Join an online photography forum.
33. Critique the works of others.
34. Think before you shoot.
35. A good photo shouldn’t require explanation (although background information often adds to an image).
*36. Alcohol and photography do not mix well.
37. Draw inspiration from other photographers but never worship them.
38. Grain is beautiful.
39. Ditch the photo backpack and get a messenger bag. It makes getting your lenses and camera a whole lot easier.
40. Simplicity is key.
41. The definition of photography is: “painting with light.” Use light in your favor.
42. Find your style of photography and stick with it.
43. Having a second monitor is the best thing ever for photo processing.
44. Silver EFEX pro is the best b/w converter.
45. Carry your camera with you everywhere. Everywhere.
46. Never let photography get in the way of enjoying life.
47. Don’t pamper your camera. Use and abuse it.
48. Take straight photos.
49. Shoot with confidence.
50. Photography and juxtaposition are best friends.
51. Print out your photos big. They will make you happy.
52. Give your photos to friends.
53. Give them to strangers.
54. Don’t forget to frame them.
55. Costco prints are cheap and look great.
56. Go out and take photos with (a) friend(s).
57. Join a photo club or start one for yourself.
58. Photos make great presents.
59. Taking photos of strangers is thrilling.
60. Candid>Posed.
61. Natural light is the best light.
62. 35mm (on full frame) is the best “walk-around” focal length.
63. Don’t be afraid to bump up your ISO when necessary.
64. You don’t need to always bring a tripod with you everywhere you go (hell, I don’t even own one).
65. It is always better to underexpose than overexpose.
66. Shooting photos of homeless people in an attempt to be “artsy” is exploitation.
67. You will find the best photo opportunities in the least likely situations.
68. Photos are always more interesting with the human element included.
69. You can’t “photoshop” bad images into good ones.
70. Nowadays everybody is a photographer.
71. You don’t need to fly to Paris to get good photos; the best photo opportunities are in your backyard.
72. People with DSLRS who shoot portraits with their grip pointed downwards look like morons.
73. Cameras as tools, not toys.
74. In terms of composition, photography and painting aren’t much different.
75. Photography isn’t a hobby- it’s a lifestyle.
76. Make photos, not excuses.
77. Be original in your photography. Don’t try to copy the style of others.
78. The best photographs tell stories that begs the viewer for more.
79. Any cameras but black ones draw too much attention.
80. The more gear you carry around with you the less you will enjoy photography.
81. Good self-portraits are harder to take than they seem.
82. Laughter always draws out peoples’ true character in a photograph.
83. Don’t look suspicious when taking photos- blend in with the environment.
84. Landscape photography can become dull after a while.
85. Have fun while taking photos.
86. Never delete any of your photos.
87. Be respectful when taking photos of people or places.
88. When taking candid photos of people in the street, it is easier to use a wide-angle than a telephoto lens.
89. Travel and photography are the perfect pair.
90. Learn how to read a histogram.
91. A noisy photo is better than a blurry one.
92. Don’t be afraid to take photos in the rain.
93. Learn how to enjoy the moment, rather than relentlessly trying to capture the perfect picture of it.
94. Never take photos on an empty stomach.
95. You will discover a lot about yourself through your photography.
96. Never hoard your photographic insight- share it with the world.
97. Never stop taking photos.
98. Photography is more than simply taking photos, it is a philosophy of life.
99. Capture the decisive moment.
100. Write your own list.

SHARE IF YOU LIKED IT.



100 Things I’ve Learned About Photography


Since I found photography two and a half years ago I have learned different things which I would like to share with you today. These lessons have made me richer and I hope that you will find them refreshing and inspiring on your journey with the camera, too.

1. Never do photography to become a rock-star.
2. Enjoy what you are shooting.
3. Prepare well for your shooting, realizing that your battery isn’t charge when you’re setting up for that sunrise shoot is too late!
4. Always take one warm garment more than you actually need with you
5. Pay attention to your thoughts and emotions while you are shooting
6. Set goals you can achieve
7. Write tips about photography, because writing is also learning
8. Never go shooting without a tripod
9. Be pleased with the little prosperities
10. Build relationships with potential photo buddies
11. Watch the place you want to shoot first with your heart then with the camera
12. Always stay calm
13. Know that you tend to overestimate yourself
14. Perspective is the killer
15. Dedicate yourself to photography, but never browbeat yourself too much
16. Take part in a photography community
17. Keep your camera clean
18. Never compare yourself to others in a better or worse context
19. Find your own style of photography
20. Try to compose more and to hit the shutter less
21. Seek out and learn to accept critique on your images
22. Do something different to recover creativity
23. Get inspiration from the work of other photographers
24. Criticize honestly but respectfully
25. Get feedback from your lady
26. Don’t copy other photographer’s style
27. Be bold
28. Take care of the golden ratio
29. 10mm rocks!
30. Take selfportraits

31. Read books about photography
32. To give a landscapephotograph the extra boost, integrate a person (maybe yourself)
33. Every shooting situation is different than you expect
34. Pay attention to s-curves and lines
35. Always shoot in RAW
36. Keep your sensor clean, so you can save some work cleaning your image in post production
37. Discover the things you think are beautiful
38. It takes time to become a good photographer
39. The best equipment is that what you have now
40. You can’t take photographs of everything
41. Break the rules of photography knowingly, but not your camera
42. Pay attention to the different way that light falls on different parts of your scene
43. The eye moves to the point of contrast
44. Clouds increase the atmosphere of a landscape
45. Start a photoblog
46. Accept praise and say “thank you”
47. ‘Nice Shot’ is not a very useful comment to write
48. ‘Amazing!’ isn’t useful either. Try to describe specifically what you like or don’t like about an image.
49. You are not your camera
50. Ask a question at the end of your comment on a photo to get a ping-pong conversation with the photographer

51. Do a review of your archives on a regular basis, the longer you photograph – the more diamonds are hidden there
52. Always clarify what the eyecatcher (focal point) will be in your image
53. No image is better than a bad one
54. Everyone has to start little
55. Your opinion about photography is important!
56. Leave a funny but thoughtful comment
57. Speak about your experiences with your photo buddies
58. Limit your photograph to the substance
59. Participate in Photocontests
60. Post processing = Optimizing your image to the best result
61. Shoot exposure latitudes as often as possible
62. Use photomatix as seldom as possible, HDR’s always have a synthetic flavor
63. Always remember what brought you to photography
64. Never shoot a person who doensn’t want to be photographed
65. Always turn arround, sometimes the better image is behind you
66. It’s who’s behind the camera, not the camera
67. Mistakes are allowed! The more mistakes you make, the more you learn!
68. If you have an idea and immediately you think : No, this is not going to work – Do it anyway. When in doubt – always shoot.
69. Understand and look to your histogramm while shooting. It delivers very important information about your image

70. Know your camera, because searching the menu button in the night is time you don’t want to waste
71. Shoot as often as possible
72. Believe in yourself
73. Don’t be afraid of getting dirty
74. Pay attention to qualitiy in your image
75. Your photographs are a personal map of your psyche
76. Re-check your ISO-Settings. It’s aweful to detect the wrong settings on your screen.
77. Be thankful for long and thoughtful comments on your images
78. Never trust your LCD. Normally it is brighter and sharper as the original image.
79. Provide for enough disc space, because it’s cheap and you will need it.
80. Learn to enjoy beautful moments when you don’t have a camera with you.
81. Always arrive at least half an hour earlier before sunrise / sundown, composing in a hurry is a bad thing.
82. Try to amplify your mental and physical limits. Takes some extra shots when you think “it’s enough”
83. Pay attention to structures in the sky and wait until they fit into structures in the foreground
84. Visit the same place as often as possible. Light never shows the same mountain.
85. Print your images in big size. You will love it.
86. Calibrate your monitor. Working with a monitor that is not accurate is like being together with someone you can’t trust. It always ends badly.
87. Don’t think about what others may say about your image. If you like it, it’s worth publishing.
88. Never address reproaches to yourself. Learn from your mistakes and look forward, not backward.
89. Fight your laziness ! Creativitiy comes after discipline.
90. Ask yourself : What do you want to express in your images ?
91. Always try to think outside the box, collect new ideas about photographs you could do and ask yourself : Why not?
92. Search for a mentor.
93. Photography is never a waste of time.
94. Every community has it’s downsides. Don’t leave it out of an emotional response.
95. There will always be people who will not like what you are doing.
96. Henri Cartier-Bresson was right when he said that “Your first 10,000 photographs are your worst.”
97. A better camera doesn’t guarantee better images.
98. Always have printing in mind when you postprocess your images.
99. Photography is fair : You gain publicity with the quality of your images. Unless the images are stolen, there is no way of cheating yourself higher.
100. Write a 100 things list

Do you have learned something that I didn’t mention ? I would be glad if you let me know it as a comment, so I can learn from you !

This post is a guest contribution to DPS. Do you have a Photography Tip or Lesson to share with us? We’ll promote your photography, blog or site in return for your time if you do. Simply contact Darren with your idea for a post if interested.

source

Monday, July 30, 2012

Lindsay Adler photography - Retouching

Lindsay Adler photography - Retouching



Top 10 Retouching Best Practices, creativeLIVE 



Top 10 Retouching Best Practices: 

-       Global Adjustments First: Before you begin your retouch, you must first get your overall exposure, contrast and color correct. Changes in exposure and color will effect what you need to retouch. These changes can be made in Adobe Camera Raw, Lightroom and also in Photoshop.

-       Be non-destructive: Always try to work on layers and use layer masks. This will allow you to easily view your progress and go back a few steps without destroying your image.  By working with layers, you also have the ability to back off the intensity of your retouch.

-       Manage file sizes: Don’t just duplicate your layer for every change you make. Layer masks help keep file sizes down. For liquify, make selection of area to be adjusted and only duplicate that area.

-       Keep Organized: When working with extremely complex files, consider naming your layers and even grouping layers by category. This will save you time as you make adjustments and tweak your retouch.

-       Save Yourself Time: Create tools presets for commonly used brush settings and actions for commonly used patterns of keystrokes.

-       Get Help: Get a second opinion on your retouch so you aren’t the only eye’s viewing the final product. This will help you monitor unnoticed problem areas and also help you tell when your retouch has gone too far.

-       Retouch at 100%: When you are retouching for print and images that may be viewed large, retouch at 100% zoom. Periodically zoom in and out to see how that retouch looks at various viewing sizes.

-       Brush size: When cloning, use smaller brushes sizes. This way if there are some repeated patterns it is less noticeable. When using liquify, use a larger brushes so you don’t create ‘waves’ or uneven areas in the body and skin.

-       Rest and Relaxation: Don’t retouch for more than one consecutive hour without getting up from the computer. It is bad for your eyes to retouch so long without a break, and also you will have a clearer view of what changes need to be made when you take periodic breaks.

-       Know the end use of your image: The end use of your image will make a difference to the amount of retouching and time you spend. A beauty image will have different changes than a portrait, and an image being printed 8ft tall will require different retouching than a web-only image. As a working professional you must be mindful of end use and use of your time.


LindsayAdlerPhotography


Eyelashes Photoshop & GIMP Brushes



video



Beauty Retouching Sample

Adding Makeup in Photoshop

Photoshop


Model Test: Creative In-Camera Portrait Techniques


Tutorials







 

 

 




Wednesday, November 11, 2015

Chucha - faces

Chucha - faces 



How to Evoke Emotion & Feeling

Faceing guide

Chucha - faces

Chucha - faces   flickr





Songs Help You Relax!

Then it usually gets better as the model become more relaxed.
Some people usually helps music but some people need a little bit alcohol

Posing Guide for Bands & Group Photos




Google: fashion tips to look taller


How to Look Taller and Leaner in Photos Without Photoshop

20 Fashion Tips to Make You Look Taller

10 Ways to Look Longer and Leaner





How to Look Taller and Slimmer








look taller leaner photos withoutphotoshop



















Tips for Photography Friendly Makeup



How To Contour Your Face Shape?

A Quick Guide To Contour Your Face



























10 Ways To Look Taller






+ label: make up




You'll look taller, leaner and more elegant in your wedding





Wednesday, November 10, 2010

photo post production

photo corrected in post production


Ten Time Saving Tips for Photo Post-Production

How to Color Correct for an Editorial Photography Look

Professional Post Production for Model Photography

Post Production Techniques and Tips

LIN AND JIRSA POST PRODUCTION STYLES

Correcting Perspective Lens Distortion In Photoshop

DIGITAL POST-PRODUCTION


How To: Digitally Improve Your Travel Photos (Part 1)

Welcome To Balanced Exposure!

Photoshop Post Production Techniques

Scott’s Guest Post: Play-By-Play Post Production on This Popular Photo

Photoshop Tutorials - Digital Post Production


A Holistic Approach
to Lighting and
Digital Photography
Skip introduction - Go to Tutorials


Welcome to Chuck Gardner's photography and lighting tutorials which offer baseline concepts for beginners.
Most wanting to learn portrait lighting and look for "playbook" diagrams to tell them where to place the lights on the floor when what they really need to understand is where the light needs to be relative to the face to flatter it. The problem with playbook solutions is that every face is a different shape, and not all the conventional playbook patterns are effective or flattering.


My approach is perceptual and goal oriented. The "big picture" goal of the exercise of making a photograph and sharing it is creating the desired emotional reaction in the mind of the viewer. To do that predictably and effectively in a photo we need to consciously understand how the viewer will react on a perceptual level to implied body language and other sub-conscious clues in it:
Contrast attracts the eye of the viewer.

What contrasts the most strongly against the overall background tone will attract the most attention.

Every photo should have a point of visual balance or center of interest (COI) for the viewer's eye to find and a tonal "roadmap" leading to it.

Making the COI the most compelling tonal area in the photo helps the viewer find it easily and delivers the message effectively.

If the COI is not the most compelling tonal area in the photo what is will distract and the message will be less effective.

My tutorials will not make you any more creative than you are by nature, but with a sound conceptual baseline and a holistic approach to lighting, clothing and background you will be able to "work the problem" to discover the most effective strategy to deliver the message of your photos by leading the viewer to what is most important and holding their attention on it.

Feedback is welcome. My goal is to appeal to as many different personal learning styles possible. If you read anything you don't understand or you think something is factually or technically incorrect please drop me a line via e-mail and let me know.
Tutorial Sections:

Holistic Lighting Concepts

The Canon EX Flash System

DIY Diffuser and other projects

Using Hot Shoe Flash

Metering and Interpreting the Histogram

Tips on Camera Technique

Post Processing Techniques

Selecting Equipment

Older Tutorials

Pontification

Contact Information





Holistic Lighting Concepts
Sun Tzu and the Art of Lighting This was a new take on answering the question, "I just bought some lights, now what?" in one of the lighting forums. It received many favorable comments from readers so I've added it here at the beginning as an introductory overview.

Strategic Thinking Everything is learned by trial and error but there is less error and wasted effort if every new lighting problem you encounter starts with defining the fundamental goals of the exercise, which for a photo is what is most important and how you want to viewer to react to it. Becoming self-critical is the key to progressing up the learning curve so for each goal you set you should define criteria for success. Having a clear idea of what body language makes a person look extroverted and glad to meet a stranger vs. someone who is introverted and shy will make it easy to understand whether or not putting light in the eyes, or not, is the best strategy. Learn to think strategically from goals and you can figure out any new lighting problem.

The Holistic Approach What's different about my approach is that it starts with the question of what makes a view react to a photo, then tries to answer it based on a understanding of human perception and the optical illusion which causes the brain to accept a pattern of contrasting tone and color on a 2D screen or print as being real. It's really all a magic trick, and like magic the secret in doing it well is understanding what the audience expects to see. When you manage to deliver it content in the photo looks "normal" and real and it triggers the same emotional reaction as seeing the same thing in person. This is an overview of the approach. The nuts and bolts techniques are contained the other tutoials listed below.

Why do you use "hard" or "soft" light Much of what you'll read on this site challenges conventional wisdom and conventional terminology like light being hard or soft. Human perception is based on expectations. You know what a human head and face look like so the lighting style really doesn't tell you what the object looks like but rather the environment the object is in. The emotional reaction to the content is often the result of whether or not the context of the environment seems "normal" or not.

Creating the illusion of 3D in a 2D photo All the clues about 3D shape in a 2D photo come from contrast patterns which trigger recollections of seeing similar objects and scenes in person. This tutorial explains our baseline for "normal" and how to mimic what is experienced in person in 3D in the 2D universe of a photograph.

Light Space - A Communication Tool For Portrait Lighting The traditional practice of using the lens axis as the baseline for key light placement does describe the actual cause and effect of how lighting patterns are created on a face. I use the spot between the eyes as the "Compass Rose" for describing key light placement and a three coordinate system similar to Lab color space to describe where to put the key light in space relative to the face. To communicates to a beginner wanting to know where to put the key light can follow instead of the traditional labels like "short", "broad", "butterfly", "Rembrandt", etc.

COI for THOU (The Hard of Understanding) This was done as a joke in response to a couple guys on a forum who said they didn't understand why a center of interest in a scene or portrait is important. It illustrates the holistic approach to lighting.

Human Perception Exercise The BIG SECRET about lighting is revealed: It's not the light, but rather contrast and relative brightness of areas in the photo which triggers the brain to react and move the eye in a photo. This concept is the foundation for my contrast-based approach for teaching lighting.

Seeing Photographically Basic photographic concepts for beginners. A quick "food for thought" outline of how a camera captures an image differently that we normally perceive with our eyes.

Process Control of Exposure Basic photographic concepts for beginners. An overview of the three variables controlling exposure on a digital camera and a decision tree for deciding how to use them.

Process Control of Color Basic photographic concepts for beginners. An overview of the how color is managed with a digital camera and problem situations to be aware of.

Using the Camera Overexposure Warning Getting perfectly exposed highlights in clothing and skin is as simple as throwing in the towel. The best measure of exposure is the last shot taken and using a white towel as a test target will allow your camera playback to tell you when and exactly where over-exposure and loss of detail is occurring.

The White Towel Method for Perfect Exposure without a Flash Meter An explanation of how to set exposure and ratios using a white towel and the camera over-exposure warning

The dilemma, challenge and paradox of exposure A tutorial to explain technically correct exposure (i.e., matching the range of the scene to the sensor) and perceptually correct exposure (i.e., when a photo looks "normal".) and how they relate to each other.

Four Light Studio Lighting Exercise A tutorial to explain the role of the four lights used in a conventional portrait scenario and how they work to fit the range of the scene to the sensor.

Using Flash Outdoors Explains the overlapping roles of ambient and flash outdoors.

From Clueless to Competent A tutorial to give a clueless beginner to lighting a technically sound baseline for photographing people.

Portraits by Window Light Diagrams showing set-up for short lit full-face, oblique, and profile views by window light. Used in conjunction with the Clueless to Competent tutorial for those who don't yet own studio lighting gear.

The Role of Fill The character of lighting is controlled with the tone of the shadows and they are controlled with fill. The type of fill and where it is placed relative to the face of a subject has a significant impact on the appearance of the highlights and shadows but is one of the most misunderstood aspects of studio lighting.

Butterfly Lighting Variables Explains all the variables which will affect the appearance of the butterfly lighting pattern - when key light is aligned with the center line of the nose.

Analyzing Faces A portrait photographer needs to understand faces the way a sculptor does; in three dimensions. The first vital step, before the lighting lights are turned on is to find the most flattering camera angle and distance.

Poses, Noses and Ears The eyes and mouth convey the mood of the subject. The nose and ears distract attention from them. Here I discuss strategies for minimizing the distraction.

Mirror vs. Camera This self-portrait exercise shows how mirroring the two sides of a face can help reveal asymmetry and which is a person's "best" side.

Backgrounds and Clothing for Portraits Examines factors which influence the choice of background for a portrait. Key light and fill reveals the face but it is the contrast of the face with the clothing and background which draws the eye of the viewer to it.

Lighting a White Background Perceptually Making a background white without "nuking" it and other common sense technical considerations.

Photographing Groups The goals for photographing groups are different from those of a solo portrait and so are the technical challenges. This PDF format tutorial provides some effective strategies. Added on 12-16-2006

Lighting Furry Critters Lighting fur requires different strategies than lighting smooth skin.

Photographing Paintings Suggestions for copying artwork based on several years spend doing it for a living at National Geographic in the mid-1970s

Photographing Furniture Discusses the perceptual cause and effect of creating the illusion of 3D shape on reflective objects. It shows a minimalist approach for shooting furniture with only two lights, but the concepts also applies to lighting vehicles, jewelry and other reflective objects.

The Zeltsman/Zucker "Feet-Up" Posing Technique Joe Zeltsman created a very simple posing technique which builds a pose from the feet up.

Posing Hands With Flowers An explanation of how make a bride holding flowers look more graceful and elegant instead of like a batter in the on-deck circle.

Using "Inside-Out" Cropping to isolate the center of interest Inside-Out cropping is a technique I use to remind myself to get past "tunnel vision" on the subject's face when shooting a photo to spot for and eliminate distractions. This tutorials explores composition and explains why the "rule of thirds" works; most of the time.

A Cinematic Approach to Still Photography Move beyond the mind-set of capturing a single photo towards telling more complete visual narratives with an approach borrowed from filmmaking.

The Adams Zone System and Digital Photography I learned photography using Adams' Zone System from his books in the same way he used it. I've found ways to incorporate the vocabulary and process of pre-visualization of scene and outcome in terms of zone placement and how to overcome the limitation of the short digital sensor range by using two flashes to overcome the contrast in outdoor lighting.





The Canon EX Flash System

Overview of the EX Flash System

How and Why I use the EX Flash System without add-on radio triggers.

Debunking the IR Myths There is a lot of mis-information on the net about Canon using IR being a problem. Here are the facts.

TTL, E-TTL and E-TTL-II Explained The evolution of Canon flash metering.

The 580ex FAQ Things the manual does not explain well.

EX Flash Exposure Control How to control Exposure with EX Flash.

Using 2 or 3 Canon flashes A:B, A:B C and non-flashing Master modes.

Canon Ratios Are Backwards If the Group A MASTER is used as fill the Canon ratios wind up being the reverse of H:S convention; more or less.

Using Manual Mode Manual actually offers better control than TTL. This explains why and how to use it.

Fill Flash Test Explains how to obtain correct exposure and extend signaling range outdoors.

High Speed FP Flash Test A test of using High Speed FP mode outdoors with wide aperture.

Hot Shoe Flash Concepts
Hot-shoe flash Primer Explains the function of camera mounted manual, thryistor, and TTL flashes.

When To Use a Flash Offers a simple checklist for deciding when to use ambient light, flash or a combination of both.

Modifying Hot Shoe Flash Effectively An explanation of how hot shoe modifiers work and the benefits of flash brackets and dual-flash lighting.

Fill Flash Concepts How to use fill flash and sunlight to create visually effective low- and high-key backgrounds outdoors utilizing God's own hair light.

Sync Limit Explains why shutter speed is limited when using conventional flash and how high speed sync and hypersync work to overcome that limit.



Do It Yourself
Building a DIY diffuser for hot shoe flash There are dozens of flash modifiers on the market. You can build one which is better than nearly all of them in about 30 minutes with about $2 worth of materials. (Revised Jan 2010)

A Macro Diffuser I used the same concepts for natural lighting large subjects when creating a diffuser to dabble with macro.

Painting a DIY Background... or as I fondly remember it "Channeling Jackson Pollack and becoming one with the paint." )

Metering and Interpreting the Histogram
Metering 101 Metering exposure is really no more complicated than driving using the speedometer and keeping a eye on the side of the road for the cop with the radar.

Lighting Ratios and Incident Metering Demystified Explains the difference between incident and reflected ratios and how to set ratios with a Sekonic L-358 exposure meter.

Compensating a Spot Meter How to adjust a hand held spot meter to read exposure directly off the highlights.

Is a Hand Held Spot Meter Really Necessary? It was for using the Zone System with film, but not for digital. But if you own or want one I reveal the simplest way to use it with a digital camera.

Using the Camera Overexposure Warning Getting perfectly exposed highlights in clothing and skin is as simple as throwing in the towel. The best measure of exposure is the last shot taken and using a white towel as a test target will allow your camera playback to tell you when and exactly where over-exposure and loss of detail is occurring.

Interpreting a Histogram How to evaluate a camera histogram and calibrate your brain to understand what it is telling you.

The White Towel Method for Perfect Exposure without a Flash Meter An explanation of how to set exposure and ratios using a white towel and the camera over-exposure warning





Tips on Camera Technique
Understanding Digital Color Digital cameras see the world in only three colors: red, green and blue. To record the color accurately the balance of those three colors must be set to match the color of the light.

How to use a Gray Card A gray card is the most valuable tool a digital photographer can own and the only way to independently evaluate color.

How to Hold a Camera Camera shake is the number one cause of unsharp photos. Here I share the technique I use.

Panning to blur the background This is an ambient light technique used to create an illusion of motion which isn't fully understood by most.This explains things you might not have considered when panning.

Perspective - Creating or Preventing Distortion Explains how to use camera shooting distance and the relative angle of camera sensor and subject to either prevent abnormal looking distortion of body parts or create it intentionally to meet creative goals


Post Processing Techniques


Pricing and Options