Friday, October 31, 2014

BW Tutorial Photoshop Black & White Photo Effect

BW Tutorial Photoshop Black & White Photo Effect




Tutorial | Photoshop | Dramatic Black & White Photo Effect





Tutorial Photoshop CS6 - [Elegance Effect]




Photoshop cs5 tutorial :How to create Dramatic Black&white Photos




PHOTOSHOP TUTORIAL | PHOTOGRAPHY EFFECT





Professional Highly Detailed Black & White Effect - Photoshop Tutorial




Black and White Selective Soft Focus Using Iris Blur




TOP 5 Fashion Black & White Filters - Photoshop Tutorial




Photoshop & LightRoom - Retouche portrait "Beauty Retouch / Black and White" par Mike Champagne




PHOTOSHOP CS6 TUTORIAL - color correction Black and White Antique












International Wedding Photography Competition

International Wedding Photography Competition



Thoughts on Judging an International Wedding Photography Competition


The Best Wedding Photographers in the World ispwp

Contest Galleries


Artistic Guild of the WPJA


The Wedding Photojournalist Association (WPJA)


WPPI 2015 16x20 Print, Album, and Filmmaking Annual Competition - WPPI COMPETITIONS


Thoughts on Judging an International Wedding Photography Competition

Behind The Scenes - Assassin's Creed Unity meets parkour

Behind The Scenes - Assassin's Creed Unity meets parkour



backstage










YouTube.com   channel    Devin Graham



assassin's creed unity meets parkour in real life - 4k full movie



devinsupertramp



Documentary HD - Life of Mark Zuckerberg

Documentary HD - Life of Mark Zuckerberg



Documentary HD - Life of Mark Zuckerberg















Wednesday, October 29, 2014

Psyphotology

Psyphotology


Psyphotology: A Look at Why People Are Afraid to Be In Front of a Camera, and How to Fix That

Peter Hurley and psychologist Anna Rowley to develop a way for people to overcome their fear of being in front of a camera.


REMOVE THE MASK



Bridging the self-acceptance gap with "psyphotology" | Anna Rowley & Peter Hurley | TEDxCambridge






Saturday, October 25, 2014

DxO Optics Pro 8 Completely Free for a Limited Time

DxO Optics Pro 8 Completely Free for a Limited Time



DxO 8 Free

DxO Academy






As for what those benefits are, the 2012 webinar above from DxO Labs goes into great details, but Reddit user GloriousDawn (who has been using DxO since Version 5 and LR since Version 2...











Wednesday, October 22, 2014

How to prepare for photo shooting

How to prepare for photo shooting



Felicity’s day with Dean Agar Photography

Felicity's day with Dean Agar Photography from Dean Agar on Vimeo.


Felicity recently did a session with us and we filmed it to show a behind the scenes of her day with us.
Photography, filming and edit: Dean Agar
Model: Felicity Boughen
Assistant and styling: Karen Agar
MUA: Carla Sakrzewski
Our website: deanagar.com.au

Photography taken on a Nikon D810, Sigma 50mm F1.4 Art and Nikon 85mm F1.8G.
Video shot on the Panasonic GH4.
Dolly moves shot on a Philip Bloom Pocket Slider. Graded using FilmConvert. Edited in Premiere CC.




 Learning to pose your models


Learning to pose your models from Rome Wilkerson Films on Vimeo.




Boudoir Photography Sessions 2: How to Pose in Small Spaces


Boudoir Photography Sessions 2: How to Pose in Small Spaces from Sigma Corporation of America on Vimeo.




Glamour

Glamour photoshoot backstage DAWIDDYLAG.com from DAWIDDYLAG.com on Vimeo.




Glamour

Mila Milano by Aldo Antonio Photography from Aldo Antonio on Vimeo.









Thursday, October 16, 2014

Nikon adapter ring for another lenses

Nikon adapter ring for another lenses




HASSELBLAD 40231 Proshade / Professional Lens Shade




The LEE Filters range of lens hoods can be used alone or in conjunction with filters, allowing the photographer to shade the lens and enhance their photographic composition at the same time.

The Wide-angle Hood

The Universal Hood

Slotted Hoods Standard/Wide-angle

The Standard Hood


srb photographic  Pro Filter Holders


Using the Nikon D800 with Cambo X2 Pro and medium format lenses

Using the Nikon D800 with Cambo X2 Pro and medium format lenses

X2-PRO for DSLR


¨
SlunecniClony.cz   lens shade


Zörk Multi Focus System
What is the "Scheimpflug effect"?



Perspective Control and Mount Adaptors



Zork Panorama Shift Adaptor


ecliptique.com





PW162 - Cambo X2-PRO System at Focus On Imaging... by photowalkthrough



Cambo Camera Brochures



Výsledky hledání pro 'Cambo'








THE RHINO CAM SONY NEX ADAPTER – 140 MEGAPIXEL DIGITAL MEDIUM FORMAT!



Sinar P3 P-SLR Conversion Set Nikon System








Cambo X2-PRO Main Operating Instructions






actus
















Cambo Rotating Compendium Shade with Filter Holder



















Strobist




Arca Swiss Lens Shade




645 D Moveable Adapter Plate for 4 x 5 Large Format Camera Body to Pentax 645D




4x5 Large Format Camera Adapter Plate for DSLR - For Mamiya 645 mount camera




Fotodiox Pro Nikon F to Large Format 4x5 Adapter - Offset Camera Mount - 200 USD
Large Format 4x5 to Nikon Mount Cameras w/ Offset Camera Mount for Scanning






  • Premium-grade Fotodiox Pro adapter, Top-notch craftsmanship
  • Off-center design with markings for stitching: 60x60mm, 68x43mm and 88x43mm image sizes
  • Multiple exposures are in a linear array, perfect for flat-stitching to reduce distortion errors
  • Inifinity focus possible with 120mm or longer focal length lenses and recessed lens board



  • SWEBO Lens to Telescope Adapter 4 camera Wang Bao Pentax four generation port




    Guest post: Large format photography with Nikon D800 as a negative holder


    Bruker D800 som storformatskamera

    The Single Use Device


    Rotate adapter Mamiya 645 back For Linhof 4x5



    Linhof Master Technika 4x5, with Linhof Apo-Symmar 1:5.6/180 lens




    CRD-87 Package: Camera Rotation Device







    Using the View Camera : A Creative Guide to Large Format Photography



    Sinar creates adapter to mount DSLRs as digital backs





    Vizelex RhinoCam for Nikon DSLR Cameras (FX Full Frame & DX APS-C) with Hasselblad V Lens Mount - for Shift Stitching Medium Format Sized Images - RhinoCam  


    Fotodiox Vizelex RhinoCam for Nikon DSLR Cameras
    with Hasselblad V Lens for Shift Stitching Medium Format Images  3x2 images


    Vizelex RhinoCam E-Mount+ with Mamiya 645 Mount for...    




    170 Megapixels with a Sony NEX camera and Vizalex RhinoCam by Dierk Topp



    stitch of 2×4 images from Rhinocam about 100 MPixel



    NEX6 with Hasselblad Zeiss Makro-Planar120mm/4 stitch of 2×3 images from Rhinocam about 80 MPixel






    Large Format 8x10 in the Field by Tim Layton

    Sony a7 hide in Sinar P2




    An Overview of Large Format Lenses for Large Format Cameras





    Markus Tedeskino demonstrates the Leica central shutter medium format lenses. by Leica Store Singapore


    Real Photogs do it In-Camera! (part deux)





    Recommended Panoramic Cameras

    ... Currently there are two remaining contenders in the realm of panoramic cameras, both of which produce
    6 x 12 and 6 x 17  panorama models.

    The Horseman SW612 is the most modular of the panoramic options, with the ability to work with 6 x 7, 6 x 9, and 6 x 12 film backs, as well as a choice of lenses ranging from 35mm to 135mm. Each of the lenses is set in a dedicated mount with helical focus rings for setting focus by distance or, alternatively, a ground glass back is available for focusing through the lens. A more contemporary variant, the SW612D camera is available to accept either Hasselblad V or Mamiya 645 digital backs, in addition to 6 x 7 or 6 x 12 film backs. For more expansive panoramas, Horseman also produces the SW617 camera body, which is available in a kit with the Schneider Super Angulon XL 72mm f/5.6 or 90mm f/5.6 lens...





    Fuji 617

    Photographs and Paintings - by SS

    The DIY 6x12 Panoramic camera by Steve Smith

    Schneider Super Angulon 65mm lens started me thinking about panoramic cameras. The lens covers the 5x4” format so a 6x12cm format on 120 roll film seemed ideal

    The light green material from which the spring parts holding the reels are made from 1.6mm FR4. This is the material printed circuit boards are made from. The Mamiya C33 rollers can be clearly seen. The large hole is for the winder to engage on the spool. The other three positions have spool holding spindles.

    I had originally planned the camera to have the lens fixed at the hyperfocal distance for f16. It is such a wide angle that there will be plenty of depth of field. Also the £240 price ticket of the proper Schneider helical focusing mount put me off somewhat.

    After a while I started looking at the focusing mechanisms of 35mm camera lenses and following the advice of an APUG member who had built a wide angle 6x9 camera, I bought an Olympus 50mm lens with a broken aperture mechanism.

    After stripping it down I realised that the 42mm wide rear element assembly of the Schneider lens would just fit inside the inner helical of the Olympus part as it had an internal diameter of 43.5mm.

    The pictures below show the Schneider lens mounted on the Olympus focusing mechanism via another piece of CNC machined 9mm PVC. The whole assembly is mounted on a laminate lens board which can be removed from the camera body.


    Schneider lens mounted on the Olympus focusing mechanism via another piece of CNC machined 9mm PVC


    The next item I needed to think about was a viewfinder. The angle of view is similar to a 21mm lens on the 35mm format (about ninety degrees).

    Voigtlander make a viewer which could be used if masked at the top and bottom but at around Ł100 I decided to learn about optics and build my own




    1/1.9 large format ultra low light night vision color network module 1300000 HD network camera module
    89 USD




    www.truetex.com/raspberrypi

    Comparing the Raspberry Pi camera module with stock lens to a 35mm camera






    shotkit.com/jason-denning/


    Inside QT Luong's general-purpose   large format      camera bag


    I own 7 large format lenses,
    which cover focals from 90mm (equivalent of a 18in 35mm) to 720 (equivalent of a 135 in 35mm).
    All of them are good performers, relatively recent and multicoated, which is useful since my work is color. You will remark that I have a mix of each of the four major brands. Since I do not do work that require critical color matching (such as product illustration), this has not posed me any problem. All of my lenses are mounted on Technika lens boards, which is the de-facto standard for field cameras, smaller than the Toyo boards (I also own a Tech IV that I almost never use these days). I prefer the original Technika boards. Despite lensboards being very simple objects, there is actually a difference in quality. The four most frequently used lenses have a cable release permanently attached to them to speed-up set-up. It is necessary to remove the cable release before shipping, since in my experience, the cable releases are the only piece of equipment to have been damaged in transit (they break near the socket). The front element is protected by a UV filter that I remove if the weather conditions are fine. Those lenses, pictured on the first row (in the four compartments above the camera) are, left to right:
    • Fuji C 450/12.5 (The long lens to have if you have enough bellows: longest non-telephoto lens in a #1, amazingly compact and light for the focal, huge image circle that will cover even 7x17)
    • Nikkor M 300/9 (Compact and light Tessar-type lens of excellent quality)
    • Schneider Apo-Symmar 210/5.6 (Classic Plasmat lens, considered to be one of the best. Slightly wider than a normal lens, it is the easiest to focus among the lenses I own, thanks to the aperture/focal length combination. My second most used lens)
    • Schneider Super-Symmar 110/5.6 XL (Cutting-edge design for remarkable compacity, weight, and brightness compared to the classic Biogon-type wide-angle lenses, also more sharp corner to corner. I use it for more than 50% of the images, equivalent to a 24 in 35mm)
    In addition, there are the following less used lenses, pictured on the second row (left to right):
    • Nikkor T 720/16 (Telephoto design, usable with less than 600m of bellows. I often leave this one behind, esp. on hikes. It's shallow DOF, small image circle for 5x7, and above all sensitivity to vibrations make it somehow difficult to use)
    • Rodenstock Apo-Sironar-S 150/5.6 (Compact and light, but image circle a bit tight for 5x7)
    • Nikkor SW 90/8 (The lightest of all modern 90mm lenses, it has also more coverage than other 90/8 lenses, making it appropriate for 5x7)
    The 90 and 150 are carried in the same compartment, with the 90 secured in a Domke wrapper.


    My camera of choice is the Canham wood field in the 5x7 format ...



    Introduction to Lenses for Large Format Cameras, 2nd Edition

    Specs for new (2002) large format lenses


    Large Format Lenses for Portraits (2nd ed.) - © 2012 Jeroen Bruggeman for largeformatphotography.info

    ... Older Tessars and Dialytes are often undervalued, hence cheap, while in many circumstances they yield far better portraits with much better bokeh and skin tones than brand new or celebrity lenses ...

    Let’s finish by listing my favorite portrait lenses, a bunch that I call “the seven samurai”:
    150mm Lanthar; 150mm Xenar (f4.5);
    203mm Ektar; 210mm Heliar;
    210mm Ysarex (f4.5);
    240mm and 300mm single coated Ronar.

    Each lens in this group is top notch while the group as a whole has sufficient variety in personalities and focal lengths ....




    Lensboard Hole Sizes



    Lenses for 10x8"


    My "main kit" is: 

    121/8 Super Angulon (tends to give at least one dark corner unless I use 18x24cm film which is a little smaller)

    165/6.8 Angulon

    210/6.8 Angulon

    240/5.6 Symmar

    300/5.6 Symmar

    355/9 G-Claron

    That's about as cheap as it's possible to get. The two Symmars are convertible too, giving 420mm and 500mm respectively.


    New Large Format Lenses for 8x10in  -  Michael K. Davis      January 2002


    New Large Format Lenses for 11x14in  -  Michael K. Davis      January 2002



    Camera

    On the 8x10 format - 8x10 cameras

    On the 11x14 format

    6 x 12in  panorama models
    6 x 17in  panorama models
    7 x 17in / 17.8 x 43.2cm panorama camera


    The Korona Panoramic View Camera was offered in 3 format sizes:
    7x17 (28" bellows),
    8x20 (32 ½" bellows),
    12x20" (22 ¾" bellows)



    Wisner



    Prepping an 8×20 Camera for a Documentary Project

    K. B. Canham Cameras Ultra Large Format Cameras            
    5x12,
    7x17,
    14x17,
    12x20,
    16x20


    Bulldog 5x4 self assembly camera Large-Format Review
    Reviews / Bulldog 5x4 self assembly camera Large-Format Review
    The Bulldog is made in the UK and is on offer for £225 for the 5x4 version or £300 as the 10x8 version



    Making a Bellows

    The shape of the shade; tapered, square, parallel, rectangular.




    Large format manufacturers

    Camera Builders

    Jon Grepstad: Building a Large Format Camera



    Deardorff  Swing Assembly for 5x7 Deardorff Camera
    Replacement Parts & Tools 8x10


    Shen hao 7x17in - forum






    Nikon D800 to replace 4x5 & 8x10  600mm, 800mm, and 1200mm lenses

    wow! yes!











    Originally Posted by Shootar401 View Post
    It's a Rodenstock APO-Sironar-S 210mm which I use with my 5x7 and 4x5


    I have that same lens (it's superb).
    Its image circle is 316mm per the datasheet. The diagonal of 8x10 film is 325mm, so quite close, within about 1/6" of the corners.

    Since the film holder masks the edges of the film, you would likely see very little vignetting, but no movements would be possible.

    I don't know where you got the 301mm IC diameter. That value is correct for the Sironar-N, which is a different design.
    This may be confusion caused by Sinar. Their Sinaron-S lens is a Rodenstock Sironar-N.

    source










    large photo
    large photography