LRpreset

LRpreset

LR preset
LRpresets



VSCO Film


Initial Impressions – VSCO Film from Visual Supply Co.


VSCO Film 02 Preset Examples with Fuji X-Pro1


Top 10 VSCO Filters That Will Look Great On Everything


Comparison of Mastin Labs & VSCO Presets


editor tutorials
https://cz.pinterest.com/looklikeabarbie/editor-tutorials/


VSCO Film pack



Best Free and Paid Adobe Lightroom Presets


Ultimate Lightroom Preset Comparison - VSCO, LXC, Mastin, Labs, Lightroom Zen





NATE - 10 Free Lightroom Presets Inspired by VSCO Cam












 The Image Quality Professor's Blog  - 7 easy steps to stunning wedding shots

90 SECOND ADVANCED EDIT ON GLAM COLOR 
 

Master Photograph

Master Photograph

www.PaulReiffer.com



































WEDDING WORKSHOP SEVEN | PHOTOGRAPHING GROUP PORTRAITS

How To Shoot Dreamy Backlit Portraits

How To Shoot Dreamy Backlit Portraits 

With Natural Light



Lisa Holloway - How To Shoot Dreamy Backlit Portraits With Natural Light - tutorial

My favorite subjects to shoot are often the people closest to me—my own 10 children.  My two-year-old son, Elliott, has slowly been working his way out of the “run-away-from-the-camera-as-fast-as-my-little-feet-can-take-me’ phase and progressing into the ‘oh-I-might-sit-here-for-a-few-pictures-if-you-let-me-have-ice-cream’ phase.  I had been wanting to take some updated photos of him and settled on a country boy theme.  I was going for something simple that would draw attention directly to him and allow your eyes to settle on his face...







Arizona Mother Of 10 Takes Magical Portraits Of Kids Outdoors

Say Hello To 500px ISO With Elena Shumilova

These 25 Photos Of Bunny Friendships Will Make You Feel Young Again

https://500px.com/lisaholloway

http://ljhollowayphotography.com/investment/


5 secrets to amazing fall photos



Gallery - love stories

http://myfourhensphotography.com/feel-the-moments

20 Photographers Growth in Post-Processing

Lisa-Holloway5--Children Portraits by Lisa Holloway

Children Portraits by Lisa Holloway




Fall/Automn Warm Edit Autumn | Photoshop Tutorial


Top 10 kids photographer (2016)

Fall edit
https://www.youtube.com/watch?v=0oMmHpHTCzU


canon
200mm f 2.0 L lens
My camera settings were ISO 400, an aperture of F-2.0, and a shutter speed of 1/640


The scoop on lifestyle photography Annie Tao
Defining Lifestyle Photography








master
edit

Child
Children

Scanning Negatives

Scanning Negatives

A few scanning tips

Best Scanners in the $400 - $3000 range?
... I use a Schneider Makro Symmar 120 as my copy lens and I have no trouble printing 24" x32" prints and larger ...


https://hiveminer.com/Tags/contact%2Csheet/Timeline

album

HelloPhoto app – spasitel negativů - iPhone iPad

Vyrobte si skener na negativy z krabice od bot

Jak digitalizovat negativy bez skeneru

3200 DPI
www.myfilm.cz/skenovani-svitkoveho-filmu/svitek-6x6cm-3200dpi/



Scanning Negatives - The Art of Photography



Scanning Negatives - The Art of Photography




How to Calibrate Your Scanner


 [How-To] Edit and Process Black and White Negative Scans








Best way to scan film negatives with a digital camera & Negative Lab Pro





Negative Holder On Light Table

DSLR Film Scanning: The Secret to Perfect Color Negatives

www.negativelabpro.com



Easily Inspect and Organize Your Negatives with Light Box Loupe for iOS


https://hiveminer.com/Tags/contact%2Csheet/Timeline

DigitaLIZA 120 Scanning Mask




Scanning (Digitizing) 35mm Slides or Film with your DSLR






Choosing a first Scanner


Skener - Epson Perfection V850 Pro
Scaner - Epson Perfection V850 Pro

Profesionální filmové skenery Epson Perfection V800 a V850 Photo

Canon CanoScan 9000F Mark II

Canon CanoScan 9000F Mark II v testu  recenze

canon canoscan 9000f mark ii vs epson v600 photo



Medium Format


Skenování negativů

Skenování středoformátových filmů 

Digitalizace svitků typu 120/220

35mm film vs středoformát z pohledu skenování a následného tisku


fotoskoda Profesionální skenování transparentních předloh      Fujifilm FineScan 2750xl

Epson Perfection V550 Photo: Film není mrtev




LinoHell   ELS 5000

stolní skener - Epson Perfection V19

Price list for high-end scans with Hasselblad Flextight scanners

FilmScanner.info


Price list for high-end scans with Hasselblad Flextight scanners




contact sheet art

https://pinterest.com/tallisarts/contact-sheets/


Scanner Software SilverFast


Plustek or Reflecta?

www.reflecta.de

www.plustek.com


Crosfield vs Scitex scaner

Crosfield: When Britain ruled the world



Collaborative Large Format Scanner Comparison

source:
soniceditions.com
soniceditions.com/image/david-bowie-for-diamond-dogs-copy



How to make film photography contact sheets
amateurphotographer.co.uk



Loupes Lightboxes

A3 LED Light Box Tracer Portable Art Box Light Pad Board Tablet LED-Light-Table-Board-Box
Kaiser Slimlite Plano 5000K 8x11" Battery/AC Lightbox with USB Cable and Charging Adapter

https://en.wikipedia.org/wiki/Enlarger











OpticBook 3800 ...

knihy sken
books scan
negative
bw
film
analogue
Colage - Black and White film

Kontaktní otisk - Contact sheets
Collage - Black and White film negative 

Tone Curve in Adobe Photoshop

Tone Curve in Adobe Photoshop

How do You Achieve This Effect?? (Part 1)



How do You Achieve This Effect (Part 2)


How to Create the Orange and Teal Look in Adobe Lightroom and Camera Raw



How the Tone Curve REALLY Works, and 5 Ways Adobe Could Improve It


The tone curve is one of the most useful tool for photographers. It can be used to make any tonal adjustments like brightening your image and adding contrast. You can also apply it to individual channels to create Instagram-like filters.



Why Isn't the Tone Curve Like This?





Color Grading with LUTs | Orange & Teal Look Explained




Teal And Orange - Cinematic Presets & Luts





Lightroom Color Grading Tutorial - Cinematic Look











http://benthomas.net.au/about-ben/



curves
lightroom

The Problem with Modern Lenses - MTF vs Micro-contrast

The Problem with Modern Lenses
MTF vs Micro-contrast

The Problem with Modern Lenses

Thoughts on the Right Camera and Lenses

The Lens Intention Diagram


sigma art 35 mm f/1.4    flat lens   low micro-contrast
sigma art 50 mm f/1.4    flat lens   low micro-contrast

The flattening of modern lenses or the death of 3D pop 

and How a lens works

Glass becoming evil

Glass becoming more evil

What is lost at the end of all this?

How to view and compare depth rendition



7 elements Nikkor AF 50mm 1.4D vs 13 elements (with 3 ED glass and 1 Aspherical ) Sigma ART

On a wide landscape, the distance between foreground and background objects is captured clearly on the depth lens but confused on the flat lens. The depth lens also capture drastically more tonal nuances than the flat one.


The next lenses of the future will be flat lenses for sure



More observations on low-element count lenses.

• They are older lenses: lenses made for film (people like shooting film because it feels “more real", now you know why lol) with less rounded aperture blades and less recent coating.
• They don’t perform as good as flat lenses at maximum aperture: One needs to learn how to close the aperture well according to the light. The bokeh won’t be as creamy as a new flat lens.
• They mostly won’t provide corner to corner sharpness until f11: Downside of less glass correction. Wide angle lenses are the most to suffer low-element count.
• They are very cheap to buy used most of the time: Most of the world has been sold onto upgrading to a flat lens.
• The theory mostly applies to prime lenses: I have tried many low-element count zooms and the differences are more subtle.
• The theory applies to focal lengths above 35mm: there are many compromises made to design lenses of 24 and wider.
• Ideal low-element count number is below 9
• Most low-element count lenses aren’t fast lenses
• They don't have plastic elements: The effect of 1  plastic element (or called "hybrid aspherical") is quite damaging to the depth.
• The higher the element count, the closer it needs to be used only at max aperture.
• Not well reviewed: every review site on the internet will shit on them.
• Darn cheap: The used market is full of them. Chances are the user is selling them for purchasing expensive flat lenses.

More observations on high-element count lenses.

• They are modern lenses: Made with the latest sauce on “rounded aperture blades” and lens coating mostly for better bokeh and wide open sharpness.
• Maximum aperture champions: they provide maxed out values of sharpness and bokeh (most of the time).
• Nightcrawlers: Their high correction gives them amazing flare resistance at night.
• They can only be used at max aperture: High-element count lenses have “3d pop” only when the background is blurred. When the background is visible, it is flattened on the subject.
• Easier to use for beginners and casual consumers: They are corrected for any aperture.
• Well reviewed: huge promotional campaign on the lenses on every lens review site/blog.
• Heavy: lots of glass in there.
• More expensive: tons of materials more.

Compromises to be made, to buy both or not?


A high element count lens isn’t necessarily bad and a depth lens isn’t necessarily good. I would buy such a lens for its “bokeh effect” when used on max aperture or its ability to provide sharp corners on extreme occasions of need (a specific landscape picture that needs corner detail) then quickly go back to the depth lens for general purpose. Some people prioritise sharpness more than depth . In my case, I tell stories in my images. The lenses I use must be able to respect the composition I see with my two eyes and depth information is also part of the story. On some occasions, I would require “bokeh quality” to help shape the mood, on most occasions I need context. Photography for me is the reproduction of reality. I lose fidelity by using a higher element count lens.




Youtube Playlist on optics and depth rendition
Quick follow-up lens comparison article on my blog
A video that compares flat and depth lenses (thank you Robiro from dpreview forums)


https://www.flickr.com/photos/yannick_khong/sets/72157649585031022/page1











Micro-contrast is a premium attribute in some brands while being spread more evenly on others.

• Canon has two line of lenses clearly directed at two drastically different users: L (enthusiast and professional users) and non-L (occasional and casual users). While some non-L or third party lenses might score higher than L lenses on test charts, Canon L lenses are the better Canon lenses with micro-contrast and will have superior rendition to the non-L. The price gap between a Non-L and a L lens is close to double price. Canon is also starting to release replacement version to their original L primes lenses, many of which lose their micro-contrast in favour of resolution.
• Nikkor lenses all have okay to excellent micro-contrast as this attribute is spread more evenly across the entire optical library, but usually cost a little more than Canon’s affordable non-L lenses depending on wether it is from the Ai/Ai-S, AF-D or AF-S line (many AF-S G prime lenses have inferior micro-contrast to their older AF-D line)
• Voigtlander SL lenses have amazing micro-contrast (sometimes at the cost of sharpness) and cost just a little more than Nikkor lenses.
• Many Zeiss ZF/ZE Classic lenses have world leading micro-contrast and are perhaps the most premium lenses for dSLRs. The Zeiss OTUS and Milvus lenses have reduced micro-contrast in favor of resolution.
• Sigma ART lenses do not have micro-contrast at all.
• Sony E-mount lenses lineups are similar to the Canon model. Non-L lenses are replaced by G and non-G lenses. L lenses are replaced by premium Sony lenses with Zeiss design and coating. Lately their goals are to reduce this attribute in favour of resolution in the G-Master lenses.
• Fuji XF lenses all have good to great micro-contrast like Nikkor lenses but they require the use of Iridient Developer (Mac OS only) to reveal their true nature.
• M43 lenses have awful to very good micro-contrast but it is harder to identify which ones since they are still figuring out ways to exploit that attribute at the sensor-level (they might have reached solution in the GX8).

Otestujte si svůj objektiv – difrakce aneb ohybová vada

https://nikonblog.cz/otestujte-si-svuj-objektiv-difrakce-aneb-ohybova-vada/


sigma art 35 mm flat lense
low-pass filtr
mikro kontrast

Autistic artist with a photographic memory, Stephen Wiltshire

Autistic artist with a photographic memory, Stephen Wiltshire

Autistic artist Stephen Wiltshire on his third day of drawing the New York skyline from memory





The Human Camera









www.autism.org.uk

Extraordinary Mental States II: Super Talents

master
autistic
Autismus 

6x17 panorama

6x17 panorama

David Entrican
orange-skies.com


EdoNork
6x17: nene guta, nene quere « en: 29 de Marzo de 2013, 20:17:54 pm »

NICK  CARVER  PHOTOGRAPHY

Photography On Location: Laguna Beach Palm Trees - nick carver photography

Three Palm Trees - Heisler Park, Laguna Beach, CA

catalog fine art photography marcell puzsar


#hasselblad features
#hasselbladfeatures



Craigs Hut

 Craigs Hut

Tony Feder Landscape Photography
Craigs Hut at Sunset : Tony Feder, Australian    Panoramic Landscape Photography

Craigs Hut sunrise

Alpine Dawn AD - 1040 » Simon Beedle Australian Landscape Photographer


panorama gallery - Australian Landscape Photography by Bucketty based Photographer, Gareth Bowyer
www.garethbowyer.com/mountain-scenes.html

Ezzie

05-07-2010, 05:46

Now near completion. Two pics for now. Have reached upload limit. Will need to post more tomorrow:

The main parts described:
http://www.rangefinderforum.com/rffgallery/gallery/32099/U32099I1273242289.SEQ.0.jpg


Put together:
http://www.rangefinderforum.com/rffgallery/gallery/32099/U32099I1273242292.SEQ.0.jpg

Ezzie

05-08-2010, 04:44

More pics:

Frame with sub-frame. Sub-frame has two purposes. One is to act as a light sealer, the other is to enable the lens box to be slid on and off (as I plan on making several). The fit is so tight friction alone will keep the frame and lens box together. The foot on the lens box is however fastened to the frame for the sake of safety.

http://www.rangefinderforum.com/rffgallery/gallery/32099/U32099I1273324641.SEQ.0.jpg


Lens box with handle, viewfinder and foot attached:

http://www.rangefinderforum.com/rffgallery/gallery/32099/U32099I1273324643.SEQ.0.jpg

The P+S compared to a grown up DSLR of the same weight class:

http://www.rangefinderforum.com/rffgallery/gallery/32099/U32099I1273324639.SEQ.0.jpg

Rangefinderforum.com > Cameras / Gear / Photography > Classic Film RangeFinders & Other Classics > Large Format Film RF >  
DIY 6x9 or 6x12 or even 6x17





erick russell roberts photography

ericrussellphotography.com



Gaoersi 6x17 Camera



DAYI 617 SHIFT IIA 6X17 CAMERA

Mamiya 23 and Super 23 Press Cameras  6x9cm

Moskva - 6x9

Ezzie

05-02-2011, 22:45

And here it is, at least the still non-functioning version. I need to adjust the thickness of the pressure plate somewhat before taking it out for a test run. As I said, the main body is built out of a case for a bottle of A.E.Dor Cognac. That of course ment I had to do what the British are best at, work around the inherent design faults, rather than fix the design.

I had to chop the case down lengthwise as there was a divider 2/3 of the way up. This meant there would be so little room to load and unload the film I had to have a removable chambre noir with film gate and rollers all in one. Getting the rear light tight would be difficult since I have a sliding rear door. The pressure plate has to be removable too, for the same reason the chambre noir is. I chamfered the corners of the face of the camera for cosmetic reasons. The case top, bottom and front are clad in oak. The sides, doubling up as handles, in another hardwood. The lens is the same as for the 4x5/6x12 project, and Fujinon SW 90 f8 on a Chinese helicoid mounted on a Linhof lensboard. Finder also from the 4x5/6x12, with a new mask.

Here are som low resolution pictures describing the parts of the camera. Bottom of this post there's a link to the full resolution pictures.

The camera front (notice the sliding rear door protruding from the side):
https://lh6.googleusercontent.com/_2fWpzvqRCfw/Tb8srx2z9vI/AAAAAAAABSM/LGO4W52IVbY/s720/D3C_1799.JPG

The rear and side (again the sliding rear door protruding through the side handle):
https://lh6.googleusercontent.com/_2fWpzvqRCfw/Tb8qv47b8zI/AAAAAAAABRk/cNzoF35Rgkw/s720/D3C_1814.JPG

Rear with rear door halfway open:
https://lh4.googleusercontent.com/_2fWpzvqRCfw/Tb8svf5bKdI/AAAAAAAABSQ/rBHH7pivdVI/s720/D3C_1807.JPG

Rear exploded view, parts explained:
https://lh5.googleusercontent.com/_2fWpzvqRCfw/Tb8sE7-O8rI/AAAAAAAABSI/a256qevNm5Y/s720/D3C_1809.JPG

Rear view: After putting a roll of film in on one side, and the take up spool on the other, insert chambre noir:
https://lh4.googleusercontent.com/_2fWpzvqRCfw/Tb8sEBnALiI/AAAAAAAABSE/UoStsDifOSs/s720/D3C_1810.JPG

Rear view: Then spool film onto take up spool and insert pressure plate (locating pegs on film gate):
https://lh6.googleusercontent.com/_2fWpzvqRCfw/Tb8rYvMgL-I/AAAAAAAABRs/6affSodgcOk/s720/D3C_1811.JPG

Rear view: Then slide rear door in
https://lh6.googleusercontent.com/_2fWpzvqRCfw/Tb8rbUqRtsI/AAAAAAAABRw/wLHh7mXCHSY/s720/D3C_1813.JPG

https://picasaweb.google.com/lh/sredir?uname=Ezzie0304&target=ALBUM&id=5533549738534211873&locked=true&authkey=Gv1sRgCMuojZ-7qtegWQ&feat=email

http://www.rangefinderforum.com/forums/archive/index.php/t-85548.html











The 6x17 RATIO: With its 3:1 ratio it is the format that is the nearest to human horizontally leveled eyesight: the natural panoramic view of humans field of vision. This is of course only true when wide angle lenses are used on this format (80mm, 90mm, 110mm)


However, with more normal to tele lenses (such as 150mm, 180mm, 250mm, 300mm) new abstract views and visions arise that have a more artistic and abstract look since they put a selective focus on a crop with extremely high detailed scenes due to the 6x17 film size.


Other Known Formats:
6x17 | 6x24 (pano)
6x8 | 6x9 (normal)
6x6 | 6x7 (square)
6x4,5 (obsolete)


Comparison of hasselblad panorama on 35mm, normal 35mm, 6x12, 6x6 and 6x17:



The more common formats like 6x4,5 or 6x8 and 6x9 resemble the known 4:3 and 2:3 ratio's common to most other analog and digital cameras, hence those are much less rare in exhibitions.

Compared to non panoramic photo communities, panoramic communities are very rare.



Not everyone understands the contemplative qualities and technical aspects that the 6x17 systems provide to you as a photographer. Ordinary people will find this a heavy and bulky system. They are happy with their point and shoot auto-everything toys.

If you start with 6x17 hobby, Do not expect an overcrowded stream of photos of the same quality or ration in your local photo club. You will be probably the only person in your city with such a system.

Expect surprising looks at strangers trying to figure out what you are doing with such a strange large camera.

Panoramic landscape photography

http://imagesandcameras.com/panoramic-cameras

Horseman SW617 Super Wide Lens Panoramic Camera














potřebuji poradit jaký HW ...
http://www.temnakomora.cz/topic/12637-potřebuji-poradit-jaký-hw/