Showing posts with label epson. Show all posts
Showing posts with label epson. Show all posts

Tuesday, December 20, 2016

All about Epson printer 3800 setting

All about Epson printer 3800 setting




Jeff Schewe on Making a Digital Print
Printing from Photoshop


Print Sharpening

Chris Orwig's Lightroom Tips & Tricks: Picture Package, Print Sharpening, Prints and Printing, and Web Gallery Options





BEST SOURCE EVER - Eric Chan!

Epson 3800: Printer Notes and Resources

This page is maintained by Eric Chan Last updated: March 23, 2011


Epson 3800: Printer FAQ


by Eric Chan

What are the smallest paper margins I can use?

The Auto Sheet Feed and the Rear Feed print with 0.12 in (3 mm) margins all around. The Front Feed prints with 0.12 in (3 mm) left and right margins and 0.79 in (20 mm) top and bottom margins.

What is the longest print I can make with the Epson 3800?

37.4 in (95 cm), but only if you use the Auto Sheet Feed or the Rear Feed. If you are using the Front Feed, the maximum image length is 23.39 in (59.4 cm). See the next question for more details.

What are the smallest and biggest prints I can make with the Epson 3800?

The 3800 only takes sheet paper (no roll paper support). The minimum and maximum supported sheet sizes depend on which of the three paper feeds you are using. The following sizes are reported by Version 5.51 of the Epson 3800 driver on Windows XP:
  • Auto Sheet Feed:
    Minimum: 3.5" x 5.0" (8.9 cm x 12.7 cm)
    Maximum: 17.0" x 37.4" (43.18 cm x 95.0 cm)

  • Rear Feed:
    Minimum: 8.0" x 10.0" (20.32 cm x 25.4 cm)
    Maximum: 17.0" x 37.4" (43.18 cm x 95.0 cm)

  • Front Feed:
    Minimum: 8.27" x 11.0" (21.0 cm x 27.94 cm)
    Maximum: 16.54" x 23.39" (42.0 cm x 59.4 cm)
     

Can other programs such as QImage print longer than 37.4 inches?

Not currently. QImage relies on the Epson driver, and it appears to be the driver itself that is imposing the length limit of 37.4 inches.

How can I print longer than 37.4 inches on the Epson 3800?

Currently, a third-party RIP is needed. ColorByte Software's ImagePrint RIP driver for the 3800 will print up to 327 inches (25.25 feet, 8.3 meters) long. However, an ImagePrint license for the 3800 is $895.00, so this should probably not be your only reason to invest in ImagePrint!
ColorBurst RIP for the 3800 will also print longer than 37.4 inches (I'm not sure of the exact maximum length, however).
In addition, Quad Tone RIP can print black-and-white images up to 128 inches (about 325 cm).



What are the available Media Types for the 3800?

The Media Types that use Photo Black (PK) ink are:
  • Premium Luster Photo Paper
  • Premium Glossy Photo Paper
  • Premium Semigloss Photo Paper
  • Proofing Paper Semimatte
  • Plain Paper - Photo Black
The Media Types that use Matte Black (MK) ink are:
  • Enhanced Matte Paper
  • Archival Matte Paper
  • Velvet Fine Art Paper
  • UltraSmooth Fine Art Paper
  • Watercolor Paper - Radiant White
  • Photo Quality Ink Jet Paper
  • Singleweight Matte Paper
  • Plain Paper - Matte Black
  • Singleweight Matte Paper - line drawing
Note that there is no Media Type for Epson Premium Semimatte (only Proofing Paper Semimatte). Remember that the black ink type (PK or MK) is chosen automatically based on your selected Media Type.


Does the Epson 3800 support printing on canvas?

Not officially, but many users have printed on canvas successfully. The key is getting the canvas to feed reliably. The following post comes from the Epson Wide Format Yahoo newsgroup:


I used 3M (Scotch) ATG700 tape to stick on 1'' strip of 28lb bond paper on the back side of the canvas, then used the rear feed, and the printer grabbed the piece of paper to pull the canvas into the printer. I adjusted the canvas size in Photoshop and the paper size in the Epson driver to allow for the extra paper length so that the image prints in the proper place on the canvas. Worked great. More details ...
I use Somerset Enhanced on an EX and experienced the same problems with feeding. The paper thickness is beyond what the machine can reliably pick up in the feed mechanism. After three hours of experimentation I have been able to get consistent feeding of the paper, but unfortunately one sheet at a time. The extra inconvenience of feeding one at a time is well worth effort with this wonderful new paper. I adjusted the canvas size in photoshop and the paper size in the Epson driver to allow for the extra paper length so that the image prints in the proper place on the canvas.
The method I finally decided on was to add a 1" leader projecting from the edge of the sheet of Somerset. I cut strips of 20lb. bond copy paper 1 1/2" wide and attach them to the back of the Somerset with small patches of double back tape. The 20 lb. overlaps the Somerset by 1/2" leaving a 1" leader which the printer grabs without any problem and pulls the rest of the sheet into the printer. Once into the feed mechanism the printer prints just fine, even on the thin paper setting. You have to adjust your canvas size in Photoshop and the paper size in the Epson driver to allow for the extra paper length so that your image prints in the proper place on the Somerset. I use a 3M (Scotch) ATG700 tape application gun to apply three 1/4" spots of tape to the back of the somerset. This gun is used in the picture framing industry and is relatively inexpensive (maybe $20.00). The tape is 3M product #924 and is 1/2" wide. Perfect to create a 1/2" overlap with the bond paper. The tape can be applied by hand if you don't want to invest in the applicator. It would simply take a few seconds longer.
The entire operation takes me no more than 20 - 30 seconds. You will need to use a sheet of paper behind the somerset in the feed tray to help keep the Somerset in the proper alignment for feeding.
This method works almost 100% on my printer. I have printed about 30 sheets this way with only one misfeed.


What is the Epson 3800's maximum print resolution?

2880 x 1440 dots per square inch (2880 dpi horizontal, 1440 dpi vertical). These numbers are not to be confused with the native input resolution to the printer driver.

What is the difference between Photo Black ink and Matte Black ink?

Photo Black is designed for printing on glossy, luster, or semigloss papers. It is also used for printing on the relatively new fiber-based papers such as Crane Museo Silver Rag and Innova F-Type White Gloss. In contrast, Matte Black is designed for printing on non-reflective matte papers. Using Photo Black on matte papers will result in significantly weaker blacks and prints with lower contrast.

Can I use Photo Black ink on matte papers or use Matte Black ink on glossy/luster/semigloss paper?

Technically, yes you can, but I strongly recommend against doing so. Using PK on matte papers will result in significantly weaker blacks, lower contrast, and lower color saturation. Using MK on glossy, luster, or semigloss papers will usually lead to severe scuffing problems (i.e., the ink does not adhere to the paper surface and easily comes off with rubbing) unless the print is carefully sprayed afterwards. This question is commonly asked by users who wish to avoid the cost and time of switching between the PK and MK inks. Keep in mind, however, that (1) the 3800 handles the black ink swap automatically, (2) the 3800 uses relatively little ink to perform this swap, and (3) this swap takes only 2 to 3 minutes. You can minimize ink swaps by batching your MK prints together and similarly batching your PK prints together.


Can the Epson 3800 hold the Photo Black and Matte Black ink cartridges at the same time?

Yes. This is different from the Epson 4800, 7800, and 9800 printers. However, the black ink print head on the 3800 is shared between the PK and MK inks, so whenever you switch between using the PK and MK inks, the 3800 will need to flush some ink. See here for details.


How do I switch between using the Photo Black and Matte Black inks?

You can swap the two inks directly by using the printer panel. The option to switch the black inks is available from the menus under the Maintenance section. The printer then does the rest; since the 3800 holds both PK and MK inks at the same time, you do not need to take one out to insert the other. You can also let the printer driver software handle the change automatically based on the selected Media Type. The Media Type list is divided into two categories, Photo Black (the top half) and Matte Black (the bottom half). See here for a list of available Media Types. If you select a Media Type from the PK section (e.g., Premium Luster), then the 3800 will print with PK. Similarly, if you select a Media Type from the MK section (e.g., Velvet Fine Art), then the 3800 will print with MK.
Note that switching PK and MK inks does take some time (2 to 3 minutes) and wastes some ink (1.5 to 4 mL). See here for more details.
For this reason, it is generally better to group your prints by black ink type. For example, if you want to print a set of 10 images on Premium Luster (which uses PK) and a set of 10 images on Velvet Fine Art (which uses MK), then you're better off printing all of the Premium Luster images first followed by all of the Velvet Fine Art images (or the other way around) instead of alternating between the two types of paper. The first way means that you only need to swap the black inks once.




The 360/720 numbers and their relationship to the "Finest Detail" driver setting have been verified by Mike Chaney, author of QImage, by querying the 3800 printer driver. Thanks Mike.
The natural question here is: which should you use? 360 ppi with "Finest Detail" off or 720 dpi with "Finest Detail" on?
According to the Epson manual, the "Finest Detail" setting is "for sharper edges on vector-based data including text, graphics, and line art." This makes sense, since text and illustrations usually have sharp clean edges (e.g., black text on white paper) which will look jagged at lower resolutions such as 360 ppi. This is one reason why
www.ddisoftware.com/qimage-u/features.htm




Should I print black and white images using the Color (RGB) mode or in the Advanced B&W Photo (ABW) mode?

Either is fine. Many users have found that they can print black and white images through the standard ICC color-managed workflow using RGB printer profiles and get excellent results. One of the primary reasons they often cite for using this method is to be able to soft proof the image (e.g., in Photoshop). However, in most cases I recommended using the ABW mode. Here's why.

  • Blacks are deeper when printing with ABW, so the prints have greater dynamic range. For example, on Moab Kokopelli Studio Semi-Gloss (a PK paper), I can achieve a minimum L* = 4.4 (d-max = 2.3) in Color mode and a minimum L* = 3.2 (d-max = 2.45) in ABW mode. On Epson Velvet Fine Art (a MK paper), I can achieve a minimum L* = 15.5 (d-max = 1.68) in Color mode and a minimum L* = 13.8 (d-max = 1.77) in ABW mode. In both cases -- especially the latter case -- the differences are not just measurable but the results look visibly better with ABW.

  • The ABW driver produces a more perceptually linear response than the Color driver. A good custom color profile will correct for this, but it is preferable to start with a driver that is close to linear.

  • Print longevity is higher in ABW mode, partly because the yellow ink (which is the most suspectible to fading) is used significantly less.
The disadvantages of the ABW mode are that it doesn't support split-toning (see here) and there isn't a built-in way to soft proof the results. If you have a spectrophotometer, however, you can build your own black and white profiles (or gray curves as described here) to use with the ABW driver. See here for details.


Any tips for printing black and white images using the Advanced B&W Photo mode?

I would first check this page to see if I've already built an ABW profile for the paper you wish to use. If there's no profile available, I would recommend following these steps.

How do I print split-toned images using the Advanced B&W Photo mode?

...



What do the terms "bronzing", "gloss differential", and "metamerism" mean? Does the Epson 3800 have these issues?

Bronzing is a phenomenon where certain colors in the print appear to undergo a color shift, depending on the viewing angle and the lighting angle (i.e., the angle at which the light strikes the surfaces of the paper). The exact nature of the phenomenon depends both on the ink formulation as well as on the reflective properties of the paper surface. Bronzing occurs only in PK papers (e.g., glossy, luster, semigloss surfaces). Matte papers, which are almost perfectly diffuse, are not affected. On the 3800 with the K3 inks, bronzing is very well controlled. It is not totally eliminated, but it does not appear to be objectionable. Gloss differential is a phenomenon where the amount of light reflected off of the surface of the print seems to vary across the image. This gives the impression that some parts of the image are "shinier" or "glossier" than others. It is noticeable mostly in highlight regions which receive little or no ink. When the print is viewed at certain angles, it becomes clear that the parts of the paper that receive little or no ink seem to reflect light differently than the parts of the paper that receive heavier ink coverage. It occurs only with PK papers (e.g., glossy, luster, semigloss surfaces). This issue does exist on the 3800 with the K3 inks, but only to a limited degree. It can be treated partially by toning down the highlights (e.g., setting the brightest parts of the image to values of 252 to 253 instead of 255) at the cost of a slight reduction in the dynamic range of the print.
Metamerism is a phenomenon in which two colors that appear to be the same under one light source (e.g., daylight) may appear different under another (e.g., office fluorescent bulbs). This is problematic because, for example, a print whose colors look fine under daylight may assume a noticeable purple cast when hung on the wall in an office that uses fluorescent lighting. Metamerism is particularly undesirable for black and white prints, because it can spoil the neutrality (or subtle toning) of the image. Prints on both PK and MK papers can be affected. Fortunately, problems involving metamerism appear very well controlled on the 3800 with the K3 inks, for both color and black and white images. There haven't been any reports of nasty color shifts when viewing the same prints under different types of illumination, and I haven't noticed any myself.


What is the deepest black I can expect with Photo Black (PK) papers?

In Color mode, I have measured L* = 4.0 (d-max = 2.35) on Ilford Smooth Pearl. In ABW mode, I have measured L* = 2.9 (d-max = 2.49) on the same paper. This is getting close to the performance of dye-based inks -- impressive! It may be possible to get deeper blacks on other papers or with different driver settings.

What is the deepest black I can expect with Matte Black (MK) papers?

In Color mode, I have measured L* = 16.0 (d-max = 1.68) on Epson Velvet Fine Art paper. In ABW mode, I have measured L* = 13.8 (d-max = 1.77) on the same paper. It may be possible to get deeper blacks on other papers or with different driver settings.

What is ImagePrint? What are the advantages of using ImagePrint over the standard Epson driver on the Epson 3800?

...







Papers, Profiles, and Calibration



What are the best papers to use with the Epson 3800?

The UltraChrome K3 inks work well across a wide range of media. For third party papers, you should check the product description to see if it's compatible with pigment inks. Paper selection boils down to personal preference. Qualities to consider include contrast (miaxmum black), color range (gamut), paper color (warm vs. cool), surface type (reflective vs. matte), surface texture (smooth vs. textured), single-sided vs. double-sided, paper weight and paper thickness, surface delicacy (tendencies to flake and scuff), longevity, outgassing characteristics, sheet size and roll offerings, and cost.
Pick the qualities that matter to you and then look for papers that have them. If you're just starting out, I suggest trying a sampler pack. Many places sell sampler packs that include a couple of sheets each of several different papers. It's a good way to figure out what suits your tastes.


Where can I get 17" x 25" sheets of paper?

Many Epson 3800 users have expressed interest in obtaining cut sheet sizes of 17" x 25". The common sheet size of 17" x 22" allows printing a 16" x 20" with a half-inch border on two edges and a one-inch border on the other two edges. A 16" x 20" is a 4:5 aspect ratio. Many popular digital SLR cameras today have an aspect ratio of 2:3. A 17" x 25" sheet allows printing a 16" x 24" with a half-inch border all around. Some inkjet paper manufacturers are starting to respond to this demand by offering their most popular papers in the 17" x 25" cut sheet size. These are:
InkJetArt:
Hawk Mountain Papers: Red River Paper is beginning to offer 17" x 25" sheets of four of their popular papers. They will also custom cut any of their papers for a reasonable fee. Harman Gloss FB Al is also available in 17" x 25" cut sheets.
If you come across others not listed here, please let me know.


Where do I get paper profiles for the Epson 3800?

The driver installation for the 3800 installs the 3800 profiles for the Epson papers. For third-party papers, you can usually download canned profiles from the manufacturer's web page for free. If you are using ImagePrint, go to ColorByte Software's FTP site to download their profiles (these profiles will only work properly with ImagePrint, not the Epson driver). You can also purchase custom profiles from a variety of profiling services (see here for details).

What are the names of the Epson 3800 profiles?

...








How can I build custom profiles for black and white printing for the Epson 3800?

If you are printing your black and white images in Color mode using the standard ICC color-managed workflow, then you can build a custom profile the same way you would for a color profile. Many users report that they get excellent results when printing black and white images using their custom RGB color profiles. If you are printing in ABW mode, and you have a spectrophotometer like an Eye-One Pro, you can use QuadToneRIP to build a grayscale ICC profile by printing a target in ABW mode and then measuring it. You can use this profile for both soft proofing as well as printing. Giorgio Trucco describes the steps here in more detail.
A more flexible way to build black and white profiles for the ABW driver is to measure a grayscale stepwedge target and then use the measurements to build output curves in Photoshop (instead of using an ICC profile). This method also allows you to soft proof the image (including color toning). One advantage of this approach is that it's easy to make small tweaks to the curves to fine-tune the results (e.g., open up or compress shadow detail). It's like having a simplified profile editor right in Photoshop.
I've written a custom software program to generate Photoshop curves automatically from a set of LAB measurements and am considering releasing it to the public.


What are the best printer driver settings to use for making profiles for paper X?

I am starting to put together a list of recommended driver settings for papers I use. Please contribute if you have experience building profiles for papers not listed!

Which rendering intent should I use when printing my photographs?

There's no general single best choice. For most photographs, at least one of the Perceptual or Relative Colorimetric intents will do a fine job. You can use the soft proof to help you decide which rendering intent to use on a per-image basis.

I've read that some printers can calibrate themselves to the factory standard. Can the Epson 3800 do this?

Not automatically. To calibrate your 3800, you will need to use Epson ColorBase software as described on this page. You will also need a supported spectrophotometer (or know someone who does and is willing to measure the calibration targets for you).

What is the Epson ColorBase software?

See this page.

Maintenance and Troubleshooting



Should I turn off my Epson 3800 when not using it or leave it on?

Should I turn off my Epson 3800 when not using it or leave it on? Executive summary: If you print daily (i.e., the longest time elapsed between two successive prints is at most a day), then leave your 3800 on. Otherwise, turn it off. The following more detailed explanation is summarized and paraphrased from a thread on the Epson Wide Format Yahoo newsgroup, where the original poster spoke on the phone with an Epson engineer in the wide format printer product group.
According to the engineer, assuming a properly functioning printer, there is no difference in the parked position of the print head, whether the printer is on and the head is parked or if the printer is shut off. The engineer recommends that if printers are used very frequently (hourly to daily at the longest) then it is fine to let the printer stay on because there isn't enough time between prints to let the print head dry out.
To avoid problems with print quality, you want to avoid the situation where ink dries in the print head. In other words, dried ink is the enemy: it can cause clogs, and because it doesn't seal nozzles as well as liquid ink does, dry ink can contribute to air bubbles. If the printer is not used at least daily, then it should be shut off between print runs. The reason is that when the printer is turned back on, it goes through a special type of head cleaning (using a supposedly "minimal" amount of ink) to clear off the dried particles, get rid of air bubbles, and get the liquid ink going again.
The frequency of this special cleaning mode is controlled by the printer itself. It will be done occasionally even if the printer is left on; however, it is not done frequently enough if the printer is simply left idling while powered on and not being used. Hence, the Epson engineer's recommendation is to turn the printer off when the time between two successive print runs is longer than a day.


I can't get thick papers to feed reliably using the Rear Feed! What's wrong?

There are two common issues when using the Rear Feed. One is that the printer refuses to pick up the paper at all. The other is that the printer picks up the paper and pulls it in, but then gives an error (e.g., Paper Skew). If you are having trouble with the former issue, make sure that (1) you have placed the sheet flush against the right edge of the Rear Feed guide ...




How can I prevent nozzle clogs on the Epson 3800?

There doesn't appear to be a silver bullet for preventing clogs altogether, but there are some simple steps you can take to help avoid clogs on the 3800. Some of these steps may help with other Epson printers as well.
  • According to user reports, clogs seem to happen more often in very dry climates than in more humid climates. In other words, moderate humidity appears to help prevent clogs. If you live in a very dry climate, consider putting a humidifier in the room with the printer. Some users suggest leaving a cup of water near the print head. (Don't spill the water!!)

  • Try to keep the printer away from dust, debris, and other gremlins. I personally keep my 3800 covered with a thick sheet and old towel when turned off and not in use. (Otherwise, the printer would be infested with hair from my two cats, who seem to think the 3800 is another piece of furniture.)

  • There is some debate as to whether it's best to leave the 3800 on all of the time or to turn it off when not in use. Epson's recommendation is to turn if off if the time between two prints will be more than a day (see this question for details).

  • Some Windows users have found that the Epson Printer Watcher software seems to cause nozzle clogs, so they recommend disabling this software. The Printer Watcher is part of the LFP Remote Panel software which is usually installed during initial printer setup (along with the driver, profiles, etc.). Update: this issue is fixed with firmware revision o00573.



How does the Platen Gap setting relate to the actual physical distance between the print head and the paper?


Narrow0.9 mm
Standard 1.2 mm
Wide 1.5 mm
Wider 2.1 mm
Widest 3.5 mm









Thursday, December 1, 2016

Test Print Settings - Epson 3800

Test Print Settings - Epson 3800



Support - Epson Stylus Pro 3800
Epson Print Plug-In 1.21
epson print plug-in for photoshop



add icc profile
Color management settings: - Control Center ▸ Color Management - windows 10



Profile: CCK3-3800...

Profile: CCK3-3800...

Profile: CCK3-3800...

Profile: CCK3-3800...

Profile: CCK3-3800...

03-Test-Print--Lightroom-setting-03-- COLOR MANAGEMENT -
Profile: Stylus Pro 3800 - PERCEPTUAL



04-Test-Print--Lightroom-setting -- Print Job - Draft Mode Printing



zdrojové soubory tisku
(Photos are adjusted to fit multiple attempts per paper A4
and protect our forests and wallet)
(fotky jsou upravené aby se vešlo více pokusů na jednu A4
aneb chraňme naše lesy a peněženku)

Kalibrační fotografie | Centrum FotoŠkoda


AB_Calibration_File.jpg
AsukaBook - COLOR MANAGEMENT





How To: Using Epson’s Advanced B&W Photo (ABW) printing feature


How do u prepare an image before sending to Epson ABW?


Epson 3800: Step-By-Step Printing Workflow

Table of contents

www.fotoimport.no/manualer/3800.pdf



Epson Stylus Pro 3800 - Prints too dark

Epson Stylus Pro 3800 - Prints too dark




How To Print With Icc Profiles  -  inkjetmall.com


USING LIGHTROOM WITH ICC PROFILES





Jeff Schewe on Making a Digital Print


Printing / El Capitan / Epson 3800 - affinity.serif.com


Creating Exhibition Quality Black-and-White Print

Workflow for Making Great Inkjet Prints








Epson ICC

http://esupport.epson-europe.com/ProductHome.aspx?lng=en-GB&data=90NVirE+OTqi5nzjDtxjxYHQVlda2a1F&tc=6















Správa barev - ICC profily a jejich
print
tisk, tisknu, tiskneme
27.2.2017
28.2.2017










Support - Epson Stylus Pro 3800
Epson Print Plug-In 1.21
epson print plug-in for photoshop



As an independent resource, the Epson Print Plug-In allows users to switch easily between its interface and Photoshop. This allows them to add images to the multi-image print easily and keep temporary images for reprint even if the plug-in window is closed. For many users, this functionality is highly valuable and could significantly enhance productivity. The Epson interface splits the printing workflow into three steps; image selection, layout selection/definition and printer settings and previewing, making the printing process simple and efficient. The window of each step is modular and can be minimised to optimise space on-screen.



-------------------------------------
Installation Notes for Epson Print Plug-In for Photoshop (Windows)

-----------------------------------------------------------------------------------------------------------------------------------
Be sure to read this file when installing Epson Print Plug-In for Photoshop.

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Compatible Software

  The following Adobe software is compatible with Epson Print Plug-In for Photoshop.
Be sure to check the software version.

Adobe Photoshop CS2 (Compatible with Version 9.0.2 or later. Not compatible with Version 9.0.0 or 9.0.1)
Adobe Photoshop CS3 (Compatible with Version 10.0.1 or later)
Adobe Photoshop CS4
Adobe Photoshop CS5
Adobe Photoshop CS5.1
Adobe Photoshop CS6
Adobe Photoshop Elements 4
Adobe Photoshop Elements 5 (Compatible with Version 5.0.2 or later. Not compatible with Version 5.0.0 or 5.0.1)
Adobe Photoshop Elements 6
Adobe Photoshop Elements 7
Adobe Photoshop Elements 8
Adobe Photoshop Elements 9
Adobe Photoshop Elements 10
Adobe Photoshop Lightroom 3
Adobe Photoshop Lightroom 4
-----------------------------------------------------------------------------------------------------------------------------------
Installation Notes

- Installed software
The Epson Print Plug-In for Photoshop installer installs two items of software.

The main Epson Print Plug-In for Photoshop software
and the Epson Print Plug-In for Photoshop plug-in module

- Installation folder for the plug-in module
The plug-in module is usually installed in the standard plug-in folder for each Adobe software product.
If you changed the standard plug-in folder, you need to install the plug-in module in the changed folder.

- When using with multiple Adobe software products
When using the Epson Print Plug-In for Photoshop with multiple Adobe software products, you need to install the plug-in module for each item of software.
If the main software has already been installed, the installer only installs the plug-in module.

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See the Epson homepage for additional information.
http://www.epson.com
















Tuesday, July 12, 2016

Úprava tiskárny Epson 3800 3880

Úprava tiskárny Epson 3800 3880



СНПЧ SUPERPRINT ДЛЯ ПРИНТЕРА EPSON STYLUS PRO 3800, 3880



Continuous Ink Systems from SoHoJet

New Lyson Continuous Ink Systems for Epson R800 and R1800




























ink epson ciss

Sunday, January 17, 2016

How to Clean Epson Print Head - 3800 ...

How to Clean Epson Print Head - 3800




Epson Stylus Pro 3800 Printhead Flushing




Epson 3800 Head Removal




How to clean your Epson 3800 / 3880 Print Head




how to clean EPSON head by manual




How to Professionally Clean Epson 3800 & 3880 Printers





Don't throw out  your EPSON PRO 3800 - 3880 or R3000 printer!
Revive it doing this!




Printhead Removal and Flush





DIY Inkjet print head cleaner,simple,cheap,effective



How to print with Epson 3880 and Epson Hot Press, Fine Art paper


 We talk from start to finish on how to print using a Epson 3880, Apple computer and Adobe Photoshop to get the best prints possible.In this tutorial we talk about printing with the Epson 3880 printer and talk about the Epson Signature Worthy Sample pack.






How to remove the print-head from Epson inkjet printer 3800

Download Epson 3800 - Stylus Pro Color Inkjet Printer Service Manual - pdf




Also See for Stylus Pro 3800
User manual - 198 pages
Specifications - 12 pages
Brochure - 6 pages











Topic: Epson 7900 from the inside - out  (Read 558974 times)

The following images line up/stack:

1 - healthy piezoelectric printhead (minus it's missing face, plus some microscopic garbage here and there)

2 - Partial workings of an Epson Stylus Pro 7900 printhead identified






DX7 F177000 Print Head Nozzle Compatible For EPSON 3800 3850 3890 Printer head


PRINT HEAD CLEANING TIPS


Epson 3800 Not Printing Black








Soon: big test of refillable Epson Pro 3800 cartridges + resetters



Epson 3800 - Problem with L-Magenta


Soon: big test of refillable Epson Pro 3800 cartridges + resetters



Epson R3880 Ink System Repair







Epson Stylus Pro 3800 Support Page

5) IF THE NOZZLE CHECK IS MISSING IN THE SAME PLACE EACH TIME 
In our experience, if your nozzle check is missing in the same place each time, the print head itself is at fault and the likely cause is ink that has dried outside the print head. If your nozzle check is variable, the likely cause is that air is entering the ink system, usually due to the cartridge failing to make an air-tight seal with the printer. Although often air can enter through internal splits in the ink lines, damper or connections. So if you have a variable nozzle check, we advise changing the suspect cartridge(s). If your nozzle check is missing in the same places each time, read on...




Media or Paper Settings are extremely important



Epson Stylus Pro 3880 review






Epson 3800, Inkrepublic Prints Bluish Black





Cleaning the print head on an Epson Stylus Pro 3800








Part seven: print head clogging



A kind reader recently wrote to suggest an ingenious solution to the Epson 4880 printer head clogging. It is very simple: all you have to do is pour about one cup of plain tap water into the maintenance tank every four months or so. Evidently, the print head parks over the maintenance tank and the key to stop clogging is to keep it from drying out. Waste ink was supposed to do that, but in dry environments or with infrequent printing it is insufficient, and clogging quickly becomes a major issue. Adding water into the maintenance tank provides sufficient liquid to continue evaporating over a longer period of time. According to the reader, this was advised by an Epson engineer.

The life of the maintenance tank is not shortened by adding water because the chip/computer does not know you did so; also, the water evaporates over time, which is what keeps the print head moist and clog free. Naturally, you need to use judgment when adding water, i.e. you should not overflow it. The worst that can happen, though, is that you create a bit of a mess.

I first poured tap water into the maintenance tank in early November 2014, thinking that I would observe how this would work over a longer period of time. Frankly, I was somewhat skeptical at first and did not see any noticeable changes right away; with hindsight, it apparently took some time for the water to evaporate and start providing a more humid micro environment. After a couple of weeks and a number of head cleaning cycles, however, things decidedly turned for the better: I mostly have not experienced head clogging since then, largely regardless of how often I print and how much printing I do in one go.

This may not necessarily work for other printer models, nor may it be a panacea for print head clogging, but the approach is definitely worth exploring.









print, head, tisk, hlava, epson, spare part

Tuesday, January 12, 2016

Panoramic from an Epson 3800

Panoramic from an Epson 3880



Panoramic from an Epson 3800






Don't throw out your
EPSON PRO 3800 - 3880 or R3000 printer!
Revive it doing this!






Epson SureColor P600 Printer - Panoramic Images


Create borderless 13" x 19" prints and panoramas over 10 feet long



EPSON P600
INKJET PRINTING WITH THE EPSON P600



Epson sc-p800
Velkoformátová tiskárna Epson SureColor P800





epson
44 s na fotografii 10 x 15 cm (Papír Epson Premium Glossy Photo Paper)





panorama

Friday, January 23, 2015

Free RIP print sw

Free RIP print sw

RIP raster image processor


GutenRIP™ The Only Free Epson

Quad Tone RIP BW
Tisk v CMYK režimu - CcMmYKLk

free software for prepress


vylepšená tiskárna  chip


GRAPO rip is an open source raster image processor. It is designed for preparing data for large format printers. It consists of input image loading, color profiling and multi-level dithering.



Free Open Source RIPs



Jak na ICM aneb za barvy krásnější

Jak to tedy nastavit

Nastavení cílových prostorů při exportu Adobe Lightroom a Capture one

Proč sRGB EIC61966 2.1 a AdobeRGB 1998 a ne profil fotoaparátu?

Tady je místě malý popis metod přepočtu

Za použítí Adobe photoshop/elements

Za použití ovladače tiskárny



Epson pro 3800, problém!! - vše kolem tisku - digineff

Kalibrace tiskárny - vše kolem tisku - digineff

Přiřazení ICC profilu tiskárny - vše kolem tisku - digineff





Epson Stylus® Pro 3880 Review - setup ronmartblog.com

Nine cartridges of Epson's UltraChrome K3 inks - Cyan, Magenta, Yellow, Matte Black, Photo Black, Light Cyan, Light Magenta, Light Black, Light Light Black


Epson Stylus Pro 3800 Review



ICC Profiles and Color Management for Epson, Canon, & HP Printers


Tuesday, November 4, 2014

Epson Stylus Pro 3800

Epson Stylus Pro 3800



Epson Stylus Pro 3800

Epson 3800 paper and maximum printsize A2
Epson 3800 paper and minimum printsize A4

Selected FAQ

Q:
What sizes of media can I load in the rear manual feed slot?
A:
See the table below.

 
Minimum
Maximum
Standard sizeA4 / LetterA2 / USC
Width8.27 in (210 mm)17 in (431.8 mm)
Length11 in (279.4 mm)37.4 in (950 mm)
Thickness0.29 mm0.5 mm
Number of sheets1 sheet1 sheet


Kalkulačka pro počítání s DPI   300  360 dpi


Epson 3800: Printer Notes and Resources


Support Manuals Epson Stylus Pro 3800




Epson Stylus Pro 3800 - Manuals


Epson Stylus Pro 3800 - Printer Guide


Inches to cm - centimeters conversion



Wide Format Printers Comparison   17" and  24"





Canon imagePROGRAF iPF6400 24.0"


Imaging Spectrum  Photo Printer Comparison Charts


Canon Photo Printer Comparison Charts



 DPI vs PPI


D800 7 360 × 4 912

Photoshop /  Velikost obrazu a rozlišení



Understanding Resolution









KRAJINÁŘSKÁ FOTOGRAFIE - JAK NA TISK PRAKTICKY (2.DÍL)